Tarot Documentary Narrated by Christopher Lee

TarotDocumentary

In preparation for the upcoming Tarot section of this blog, complete with a brand new online Tarot reader, here is a television documentary on the history of Tarot cards. It’s narrated by the super-hammy Christopher Lee!

The best thing about the documentary is its brief outline of Tarot history. Its explanations of card meanings and interviews with Tarot readers are superficial and absurd. The interviewees tend to be of the type who predict actual events and make foolish assumptions rather than focus on what the cards suggest to a person and what they represent as possibilities in that person’s thinking. Most of the unfortunate people featured in this documentary are of the variety that the Tarot tradition should avoid at all costs. Pay no attention to them.

Enjoy the film for what it is and remember that if you have an interest in Tarot you won’t be disappointed in the new app which will be a very deep resource of information about the entire Tarot de Marseilles deck and will give full 10-card Celtic Cross readings with explanations and card details.

Coming soon!

Rabbit Ears: Experimental Film by Alessandro Cima

Rabbit-Ears-Frame-1

Imagine an insane alien astronaut who tunes into earth’s radiating television signals originating in the analog days of the twentieth century. The alien receives our entire TV culture in seconds, processing the sounds and images instantly, watching them all simultaneously… and the alien is crazy enough to find a message within.

This is an experimental film that is for all intents and purposes a continuation of my previous film, “The Magical Dead Sunstroke Valley,” which has been screening for the past year at the Los Angeles Center for Digital Art (LACDA).

TV Commercials From the 1970s

Imagine yourself sitting in a finished basement room with wood panel walls, a nice thick shag carpet, and a long low console television. In the 70s, I remember running from house to house to see everyone’s color screens because I had a black & white at home. An episode of Star Trek in full color glory was a rare form of Nirvana for me. I wasn’t really as uncool as that sounds. Don’t let it fool you. Pretty soon our current infatuation with HD will seem just as naive.

A is for Atom – Nuclear Documentary by Adam Curtis

This is a five-part documentary by British filmmaker Adam Curtis about the rise of nuclear energy in the United States. These sections make up A is for Atom which is a 1-hour segment of a much longer science and politics television series called Pandora’s Box.  It chronicles the development of the nuclear power industry and shows clearly how little was ever understood about what would happen or what should be done during a nuclear accident.

Parts 2 – 5 after the jump

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Raw Video of Japan Tsunami Entering Town

This is raw and shocking video of the tsunami in Japan entering and destroying a town. It was posted by James MacWhyte on his Facebook page.

Thank you to Paul Gallagher of Dangerous Minds for the find.

CNN has a live blog following the quake and tsunami.

The Huffington Post has live coverage.

Here is how you can donate to the Red Cross Japan Earthquake effort.

Paul Starr – 1964 Science Fiction Puppet Series

Humorous, cheesy and somewhat difficult to sit through!  It’s got robots that are Dalek imitations, Gerry Anderson-style figures, vehicles and headquarters! This is the 1964 pilot episode for a puppet science fiction TV show that never aired. Paul Starr featured Ed Bishop, the actor who later played Commander Straker in the classic 70s UFO series, in the lead role.  The show was created by Roberta Leigh who had already produced Space Patrol.  In this episode, atomic power plants on Mars begin to explode and Paul Starr must investigate a threat to take over the red planet.

Not Every Time – DSLR Film from Yemen

This is a preview for a television show from Yemen. It’s all shot on a Canon 7D digital SLR camera by Aimen Kasem who functioned as the show’s cinematographer.  The show is directed by Sameer Al-Afeef. People are making very beautiful things with these DSLR cameras. I’ve been using one recently for my own films and appreciate the flexibility and quality that they offer. The post production work can be very challenging but the end results are often gorgeous. I like the looks of this dramatic show from Yemen. The preview stands on its own as a short film. With such high-quality equipment and editing tools available for a modest investment, it is becoming increasingly possible to see how people in different cultures approach and think about color. The fine manipulation of color in digital film is now available to any filmmaker and has become just as much a personal expression as it has long been for the painter.

See Aimen Kasem’s work on Vimeo.

Animation by Evan Mather: The Patron Saint of Television

Filmmaker Evan Mather made this beautiful animation about the life and visions of St. Clare of Assisi.  I had no idea that television was divinely protected.

Makes me miss that old cathode ray.

Evan Mather produces films for his Hand Crafted Films company.

This is a very sly and clever filmmaker who seems to enjoy thinking about what makes certain film genres tick.  He works with language as easily as he works with images.  There’s lots more to post from him but you can go and explore his work on his Vimeo page.

R. Crumb and the Corporate Mono-Culture

Cartoonist Robert Crumb gets interviewed by a Los Angeles Times writer and talks about his living in France and his hatred for the pervasive corporate mono-culture that Americans seem unaware of.  He can’t stand it and chooses to live outside of it.

Really good perspective.

In a culture where you’ve got a Supreme Court actually giving corporate entities the rights of individual human beings, you’ve got total corporate control of every single living man, woman and child.  You can see this complete robotic control on very prominent and horrific display in the current president of the United States.  He a corporate hologram who moves only when commanded to by his boardroom overseers.  The entire country is oriented around cop/lawyer shows on television which are specifically designed to make you feel close and personal with the state/corporate stooges who work for police departments and gleefully lay disadvantaged people out on their faces on subway platforms and slaughter them with bullets fired straight into their backs from six inches away.  ‘The Mentalist’ is probably the supreme example of this attempt to make the corporate/police control mechanism seem odd and quirky and just a little cutely but intelligently eccentric.  ‘Medium’ is another.  The individual with oddball abilities or perceptions is entirely consumed and controlled by the state apparatus.  All cop shows are meant to make as many viewers as possible feel completely comfortable being visited by and talking to the police.  That is the entire truth of American television.  It’s message is simply this: when we come knocking, open the door.

That is the true subtext of every single show ever produced by American broadcasting companies.

R. Crumb is totally right.

Yellow Plastic Raygun Wins Best Experimental Film Award at Downtown Film Festival Los Angeles

Well I’m just very pleased about this.  The Downtown Film Festival Los Angeles has given my film, Yellow Plastic Raygun, the award for Best Experimental Film.  I was having quite a nice week attending various parties and screenings at the festival.  Its use of multiple locations in the heart of downtown Los Angeles gives one a real sense of taking part in the life of the city and being involved with something that’s helping to foster the exploding art and film scene in downtown.  Most of the short films were screened in the new Civic Center Theater at the intersection of First and Main Streets, in the shadow of the famous City Hall tower that has appeared in so many crime shows and film noir classics.  I attended the screening of my own film this past Saturday evening and was amazed at seeing it large since I had put so much work into it on small monitors.  What’s great about the Downtown Film Festival is that it shows a wide range of filmmaking styles, crew sizes and budgets.  They show films made with lots of production resources right alongside films made by individual artists working with inexpensive HD cameras and even cell phone cameras.  I am very proud to have won this and I look forward to more great festivals in downtown Los Angeles from the people who put this together.

Yellow Plastic Raygun Selected for Downtown Film Festival Los Angeles

The Downtown Film Festival Los Angeles has made my latest short film, Yellow Plastic Raygun, part of their official selection!  So if you are in Los Angeles on Saturday, September 11, 2010 and you want to see an evening of short films, come by the Civic Center Theater at First and Main Street right across from the City Hall building.  The shorts program starts at 10:00 pm.  Here’s a link to the festival schedule.

I am very happy about this.  I like the idea of a film festival right here at home where I can go and hang around with some other insane filmmakers.  It should be an interesting Saturday night.

Shakespeare Animated: Macbeth

Shakespeare: The Animated Tales was a BBC television series of the 1990s that produced 30-minute versions of Shakespeare’s plays with animation done by well-known Russian animators at the Christmasfilms studio.  This version of ‘The Scottish Play’ stars Brian Cox.

Click the continue reading link for parts 2 and 3.

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