The Little Mermaid: 1968 Soviet Animation of the Tale by Hans Christian Andersen

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This is a beautiful 1968 Soviet adaptation of ‘The Little Mermaid,’ by Hans Christian Andersen. It was produced by the great Soyuzmultfilm studio. There are no subtitles. Just enjoy it as a brilliantly animated musical approach to a great tale.

The film begins with a busload of tourists sightseeing in Copenhagen. Then it moves to sea and our story begins…

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The Tale of the Dead Princess and the Seven Knights: Russian Fairytale Animation

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This is a 1951 Russian animation of an 1833 fairytale poem written by Alexander Pushkin that is based upon the classic Grimms tale, Snow White and the Seven Dwarfs. It was directed by Ivan Pyetrovich Ivanov-Vano, known as the ‘patriarch of Soviet animation.’

You can read Pushkin’s The Tale of the Dead Princess and the Seven Knights.

The film is in Russian so you can use the YouTube settings to turn on English subtitles.

Stan: Beautiful Hand-Crafted Animated Film by Meirav Haber

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I recently went into the Hive Gallery in downtown Los Angeles. Making my way toward the back of the long row of artists’ stalls – for all intents and purposes an artists’ neighborhood – I encountered an animated film playing on an iPad that was hung on the wall of the display area for artist Meirav Haber. It caught my attention because of the gorgeous and finely detailed handmade dolls she uses for her animation. This kind of filmmaking has become something of a rarity in our CG world. So now the eye seeks out the human touch. Finding it is a pleasure.

Haber has an unusually quiet and calm approach to telling her story. We are encouraged to watch the character and look for the details in his surroundings. The details are incredible. Watch the film through, then go back and pause it to have a look around. Enjoy the work of a master at her craft.

This kind of animation is done in a small studio on tabletop sets built by the artist. It’s all about imagination connected to the hand.

Stan is a simply told tale about a man who was born with an unfortunate resemblance to the Devil. His efforts to gain acceptance and companionship essentially turn him toward an appreciation for odd objects that closely resembles the artistic impulse. Haber’s beautiful film is made entirely with the magnificent hand-crafted artworks of an amazing artist.

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Cinderella: Fantastic 1947 Soviet Union Feature Film

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Filmed in the Soviet Union just after World War II, this is a rare gem of fairytale movie making. It’s a fantastically colorful telling of the tale that stands as a welcome contrast to the Disney approach. The film features one of Russia’s greatest stage actresses, Faina Ranevskaya, as the stepmother. It was produced by the Soviet LenFilm studio and directed by Mikhail Shapiro and Nadezhda Kosheverova. I think it was originally filmed in black & white but was recently colorized for a DVD release. The colorization works well within the context of a fairytale with grand stage scenery and theatrical costumes.

 

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Beauty and the Beast: Russian Animation

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This is a 1952 Soviet film adaptation of a variation on the Beauty and the Beast story called 'The Scarlet Flower', written by Sergey Aksakov in 1858. This story focuses much more on the bargain made between the unseen beast and the girl's father when he touches the scarlet flower on the magical island that is the beast's home than in the versions most American audiences are familiar with..

The animation technique in use here is called rotoscoping. Actors were filmed in costume doing their character movements, then traced frame-by-frame to create what was supposed to be a more realistic animation. In fact, rotoscoping often produces a curiously lifeless movement in conflict with the more fantastic backgrounds.

 

The Magnificent and Mysterious Animations of Myrrha Jamil

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The beautiful animations of Myrrha Jamil evoke dreamscapes of ever-shifting fairytale realities in which people and animals come from the earth, briefly drift, and return to nature like wisps. The drawings are done with chalk, watercolor and oil paints. She sometimes photographs her films with a vertical frame, making her little magical world seem barely glimpsed through a keyhole. There’s a mystical quality to these films. They are like messages from the fairy world.

This is work in the creative realm of filmmakers like Yuri Norstein, where the vague impressions and delicate renderings of nature and the subconscious are paramount. Myrrha Jamil is a profoundly talented and obviously brilliant filmmaker.

The Little Ones Who Grow in the Rain from Myrrha Jamil on Vimeo.

A Lullaby from Myrrha Jamil on Vimeo.

Egretta from Myrrha Jamil on Vimeo.

Chalk Boat from Myrrha Jamil on Vimeo.

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Fairytale: Photographs by Miwa Yanagi

 
Japanese artist Miwa Yanagi makes these beautiful staged shots based on Japanese tales, the Brothers Grimm, and stories by Gabriel Garcia Marquez. The photos are part of her ‘Fairytale’ series. She has girls play the various roles and seems to shoot many of the scenes inside a room with big windows that she transforms into mysterious and suggestive environments. Her photography has the bold dramatic effect of old Hollywood black and white films.
 
 

Jean Renoir’s 1928 Version of The Little Match Girl


This is a 1928 version of Hans Christian Andersen’s ‘The Little Match Girl,’ directed by French film great Jean Renoir and Jean Tédesco. The story is a simple one about the visions of a poor match girl as she freezes to death in the snow. It’s a loose adaptation that actually seems rather rigid and too involved with its sets and props to really give any feeling of the fantastic. It is also pro-forma in its pathos or portrayal of the match girl’s despair. Also, the leading actress, Catherine Hessling, is completely unappealing. Apparently, one of the toy soldiers was played by Lucia Joyce, the daughter of author James Joyce.

Happily Ever Over: An Epic Illustrated Fairy Tale by C Merry

C Merry has created an epic rambling fairy tale that weaves her own modern perspective through the classic stories that children have been familiar with for centuries. The result is both humorous and unsettling. C Merry combines these tales with mythology and Christmas to explain things that have been long forgotten. It’s a beautiful way to start the holidays. You’ll find out that the Pied Piper had money troubles and was working out of his van. Santa Clawz is a wormhole-travelling wildman who began the holiday tradition of sneaking into houses to counteract the effects of war. Instead of dropping bombs, he dropped gifts. He was also descended from grizzly bears.

The story unfolds over a series of partially animated illustrations that are gorgeously detailed, showing squiggly pen lines inside every detail. These pictures are backed by a dense and mysterious soundscape.

What C Merry seems to be doing is connected the world’s most charming tales for children to the much deeper and darker subterranean world of mythology. It works. She has created a mystical world of danger and beauty.

You can also read the entire illustrated tale at the author’s blog.

Horse Glue – A Film by Stephen Irwin

Stephen Irwin is the animator behind this horrifically beautiful and mysterious film. Its heart is located right in the deep dark forests of fairytales, but its story is a conflagration that puzzles even while it astounds. Irwin slyly weaves two films together inside an old cathode ray TV tube to create his fascinating hybrid horror.

I posted about this filmmaker’s previous film, The Black Dog’s Progress.

You can visit the filmmaker’s site at SmallTimeInc.com.

Hansel and Gretel Animated by Ray Harryhausen

Ray Harryhausen, the great stop-motion animator of dinosaurs, sea creatures and dancing skeletons made this version of Hansel and Gretel in 1951. The dolls are a bit off-putting if I must be honest about it. But it’s got some great movement and settings.  This is one of a series of films he made for children after World War II.