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Tag Archives: documentary
Tarot Documentary Narrated by Christopher Lee

In preparation for the upcoming Tarot section of this blog, complete with a brand new online Tarot reader, here is a television documentary on the history of Tarot cards. It’s narrated by the super-hammy Christopher Lee!
The best thing about the documentary is its brief outline of Tarot history. Its explanations of card meanings and interviews with Tarot readers are superficial and absurd. The interviewees tend to be of the type who predict actual events and make foolish assumptions rather than focus on what the cards suggest to a person and what they represent as possibilities in that person’s thinking. Most of the unfortunate people featured in this documentary are of the variety that the Tarot tradition should avoid at all costs. Pay no attention to them.
Enjoy the film for what it is and remember that if you have an interest in Tarot you won’t be disappointed in the new app which will be a very deep resource of information about the entire Tarot de Marseilles deck and will give full 10-card Celtic Cross readings with explanations and card details.
Coming soon!
Line of Sight: A Film by Benny Zenga
Documentary: Los Angeles Meets the Megalith
Artist Michael Heizer’s enormous new work on the grounds of the Los Angeles County Museum of Art required a 340-ton boulder as its centerpiece. The boulder had to be transported over 100 miles from its quarry. At first, I was very interested in this rock. It’s huge! But soon I became more interested in the city’s reaction to the rock. So this film documents the final few miles of the rock’s journey, but it also documents the people who came out to be a part of the great Los Angeles rock transport. The film is part documentary and part personal impression. The simple fact of the matter is that the rock’s arrival is an unusual milestone in the life of this city. You can tell that simply by looking at the faces in my film.
How to Tell if Your Country is Sliding Toward Despotism
NOVA: An Art Documentary That Entirely Excludes Black Artists
I wanted to like this film. I tried really hard. It was filmed during the Nova Contemporary Culture which happened in July and August 2010, at the MIS-Museum of Image and Sound, and SESC Pompeia, in São Paulo, Brazil.
It put me off with a few too many artist comments about art being a business and branding. There are a few real pretentious twits running through this art documentary. There’s also a lot of very nice, clean, well-behaved, pleasant, comfortable, easygoing, precise, smooth, color-balanced art going on here. I’ll be clear and remind my hesitant readers that I’m really quite the shining example of a creep. When I walk into a gallery I’m looking for the artist who is capable of throwing dirt into my eyes and laughing at me while I wipe it off. Most of the art in this film looks like it has been pre-approved for use by IBM in their next commercial.
I’m not looking for an artist who can tape off their lines straight and make them intersect at the farthest corner of the room. Draw crooked why don’t they? There’s so much goddam masking tape in this film it could wrap the Empire State Building six times over.
But if you watch this thing all the way through you just have to notice that out of all these young up-and-comers there’s apparently not a single black artist involved. I couldn’t find one. Maybe I missed something. But I went back and checked. How do you achieve something like that in 2011? Seriously? Don’t you have to work overtime hours to purposely exclude black artists from a documentary or a major art show like this? Can it be true that there are no black artists capable of sticking masking tape to a museum wall and painting inside the lines? Don’t black artists travel to Brazil?
It may not be director Isaac Niemand’s or producer ROJO‘s fault that the cast excludes black artists, but then perhaps they should have filmed a different art show. Maybe it’s Brazil’s fault.
I feel a little bad about criticizing a documentary film on Vimeo because their service is so based on mutual support and respect between artists. But that kind of thing has severe limits in the world of grownups and serious people.
Art is not preschool. It’s not about support and encouragement of creativity. Self-help bullshit doesn’t have a place in art. Art is about beauty, ugliness and thought that gets up in front of you and is willing to knock you unconscious without apology, willing to scare you, horrify you, enrage you, enrapture you, unsettle you, save you, uplift you, insult you, smash you, whither you, confuse you, ennoble you, or destroy you. But it does not ever want to please you.
Keep the pleasant art in Brazil thank you.
The Penultimate Truth About Philip K. Dick
This is a 2007 documentary produced by Martín Florio on science fiction author Philip K. Dick. The great author behind the novel Do Androids Dream of Electric Sheep?, the basis for the ultimately disappointing Blade Runner film, is portrayed by his many former wives and friends as having been obsessed with images that he perceived as having a divine origin. I detect a fair amount of condescension on display here from these former close relations, especially from fellow science fiction author K.W. Jeter. I think the general sort of hand-waving dismissal of Dick’s ideas and visions is foolish and indicates to me that Philip K. Dick made the relatively common mistake of surrounding himself with dimwits. Decide for yourself as you watch this interesting film.
Watch parts 2 – 9 after the jump.
Silent Night: Story of the Christmas Carol
A 1953 Coronet educational film about where ‘Silent Night’ comes from. Many will be already familiar with the story. But this film takes a nice calm and measured approach to the churchy little story. I like churches just fine. I just don’t like seeing people inside them.
It Came From Kuchar: Underground Film Documentary
Mike Everleth at Bad Lit: The Journal of Underground Film, has posted this fascinating documentary about legendary filmmakers George and Mike Kuchar. They’ve been making films separately and together for over 50 years. Don’t be misled by the term underground. These are simply wonderful and exuberant filmmakers who work in their own way and make films exactly the way they want to make them. Their enthusiasm for film, from totally independent low-budget to full-blown Hollywood spectacular, is infectious and should inspire any young filmmaker to follow his or her own muse and make what they really, deeply, necessarily want to make. You can find out a lot more by reading the Bad Lit article about the documentary.
By the way, Bad Lit is in fact the most infectiously enthralling film site you will read for a long time. Go there!
Manhatta 1921
This silent film, with assorted words of Walt Whitman, was photographed by Paul Strand and Charles Sheeler.
Christopher Doyle on Cinematography
He reminds me a little of Keith Richards. He’s made some of the most beautiful films you may ever see with director Wong Kar Wai in Hong Kong. He seems to like wandering the colorful streets. Always talking about the light and color. Last night I took my new camera out along Ventura Boulevard very late. I was making a film by moving very slowly from window to window, shooting in an odd off-kilter way with closeups through glass and lights moving in and out of focus. It took me several hours to move three blocks up the boulevard. I haven’t seen the footage yet but the night was loaded with possibilities. Do you have any idea how many things you can come up with when you look inside a store’s display window? You can break it down almost infinitely and create images that have very little to do with the store. I find it a natural and obvious way to make a film. The sets are all there waiting for me to show up with my camera. It doesn’t matter that I don’t know what the film will be. It exists already and will make itself apparent when I start staring at my footage.
The Cinematographer
You’re going to love this!
Life in Hollywood 1927
Part 2 has some footage of silent movies being shot.
Los Angeles in the 1920s
This is an old silent film produced by Ford that shows Los Angeles in the twenties. You’d be amazed by how much of old LA you can still find. I’m working on a new film that’s going to be in large part about LA and the way a person perceives the city and self through images that are borrowed and may in fact have very little to do with the actual firm existing place. Finding this little film is part of my digging through material about the real and the fanciful Los Angeles.
Jonas Mekas – As I
What’s the main thing you notice?
Directed by Alexandre Perrier. Produced by Kidam.

