Filmmakers Fred L’Epee and Dimitra Pouliopoulou deal with the emotions of video. Their short films are visual poems in the most real sense. I like the way they flirt with the techniques of celluloid while remaining firmly anchored in video. The two things, rather than cancelling each other, work together to offer a filmmaker more tools for opening eyes and insisting that people fully observe. This kind of film dances between reality and abstraction. The ships are placed so that they traverse a line between light and dark, high and low, space and time.
Category Archives: Avant-Garde Film
Propaganda Mussolini: A Film by Massimo Balloi
Italian filmmaker Massimo Balloi has made an abstract film that attempts to explain the descent of Italy into modern fascism. The rapid turn of Western democracies toward a virulent corporate fascism does in fact resemble the ideas put forth by Mussolini in the 1930s and 40s. But his effort was to mimic the efficiencies of the corporation in government. The new effort currently underway is to replace government control with corporate control. The danger is real and it is extreme. Even in the United States we see a Supreme Court allying itself with corporations. In Italy, you have a very basic corporate buffoon running the country as if it were a criminal enterprise. In the U.S. you have completely false liberals maneuvering a corporate front man into the Presidency so that every decision is made with a seemingly logical inclination toward the interests of the large corporations. We are now fighting entire wars based solely on decisions by corporations.
The twenty first century will not be the century of war against terrorists. It will be a century of war against corporations. They will gain an upper hand initially, but this will be short-lived. I say this because once you get inside these corporate structures you can observe how shockingly weak they are. BP is your perfect example. A single broken valve can weaken the entire stack of cards. These corporate entities can only flourish while people are asleep.
Broken English: A Film by Derek Jarman Featuring Marianne Faithfull
MATURE CONTENT:
This might be the most beautiful film you will see all year. It is the full version of ‘Broken English,’ starring Marianne Faithfull. It was made by Derek Jarman. It incorporates three of Faithfull’s songs. Jarman learned a great deal from American avant-garde filmmaker, Kenneth Anger. Interestingly, Marianne Faithfull also starred in an Anger film called ‘Lucifer Rising.’ The montage and superimposition going on in this film is simply stunning. It’s full of dark pagan ritual, sex, violence, romance, adoration, and mystery. I think Jarman is one of the very few filmmakers who understood what Anger was doing in his work and tried to carry on from there.
Runts: A Short Film by Lori Felker
Ahhh… sibling rivalry in a warped and earthy garden of delights! Mike Everleth at Badlit found this grisly but charming tale of two doll-babies who joyfully tear each other to bits. The film by Lori Felker features dark and murky photography that enhances this tale of plastic dismemberment.
The Moon: A Short Film by Phoebe Parsons
Here’s another short film by Phoebe Parsons. Her deliberately low-tech romantic science fiction tales are captivating because they are actually poems. My favorite part of this one is the amazing rocket ride.
The Heart of the World: A Film by Guy Maddin
The Echo Park Film Center tipped me off to this amazing short film by Guy Maddin. He made it in 2000 for the Toronto International Film Festival. It’s got the frenetic, montage energy of Sergei Eisenstein mixed with some of the fantastic elements of George Melies. Just beautiful and wild.
Justus 2: A Film by Ryan Spring Dooley
Ryan Spring Dooley (aka MarvinTiberious on YouTube) and Juppy Nash made a catchy little tune and played it on an Italian rooftop where they could enjoy the place they were in and become infected with art. Dooley’s films are a constant stream of creativity and artistic perception unlike anything else. He combines old and new and creates works so easily expressive that you wonder why anyone needs anything more than paper, paint and a camera to do anything. Watch this film and wonder at just how good it really is. Masterful.
The filmmaker is also using Kickstarter to fund a bigscreen project:
Woodpecker: A Film by Rouzbeh Rashidi
Rouzbeh Rashidi is an Iranian filmmaker living in Dublin, Ireland. This film is a portrait of a day in the life of a man who works at a convenience store. Rashidi doesn’t want to show you the things you might want to see in a person’s normal day. He is interested in minute and detailed impressions. He focuses closely on things and lets them speak for themselves. The film conveys an unsettling mystery through its calm observation and beautiful black and white photography. One of the most interesting things about this film for me is simply how happy the film’s subject looks while he is working.
The filmmaker has a website.
Dreams Ripple ~ Here Now – Japanese Animation by Akinori Okada
What the heck is this? I have no idea. But I like it. It looks like nothing I’ve seen so far. Seems to have something to do with a magic box of dreams maybe. Dream characters dance about and frolic with strange projections and shadows. There’s an element of old Japanese folktales with tiny toys or figures coming to life at night. Very strange.
The film was made by Akinori Okada in 2009.
The Animated Films of Painter György Kovásznai
While visiting Your Daily Cartoon, I watched an animated film by Hungarian painter György Kovásznai. I liked the calm mishmash of drawing styles and quiet humor. The 1965 film is called Mesék a m?veszet világából (Tales From the World of Art). It has no subtitles but is pretty easy to follow, taking a bemused look at several kinds of art. The first part is an action movie, the second is a theatrical piece, the third is a piano recital.
This one is called Várakozni jó (Waiting for Good). It’s about a traffic jam with a truck that suddenly opens its back doors and explodes into a 1969 rock & roll jam. The wild sketchy ever-changing animation style is more psychedelic than most commercialized sixties psychedelia could ever be.
This one is Gitáros fiú a régi képtárban (Boy Guitarist of the Old Hits) from 1964. It’s simply a guitarist playing and dancing his way through artworks by old masters presented in a very avant-garde fashion. Understanding the art is one thing, but the person who can truly enjoy it is far ahead in the game.
Monologue Under White Light! – A Film by Samira Eskandarfar
A ravishing beauty from Iran! Look at this mysterious and subtle film by director Samira Eskandarfar. Her figures drift through time and space in a stage setting that seems open-ended and universal. The underlying themes and messages are probably far more complex than I can ascertain without a proper understanding of Iranian culture. But the film stands as a mysterious and slightly harrowing glimpse into the progress of attraction, love and communication between individuals. The characters, played by Kazem Sayahi Saharkhiz and Faranak Miri, engage in mundane conversation, offer each other drinks, smoke cigarettes, make eyes at each other, play music on a tape recorder and disappoint each other in all the little ways of a normal life. But they seem symbolic of something greater and perhaps very much to do with the filmmaker’s Iran. There are some amazing artists working with enormous expressive power in Iran. Samira Eskandarfar is one of them.
By the way, the filmmaker is also a painter.
Visit the filmmaker’s web site.
Ménilmontant – 1926 French Film by Dimitri Kirsanoff
The film takes its name from a neighborhood in Paris. It was directed by Dimitri Kirsanoff and is considered to be his greatest work. It moves very quickly, using a montage technique that tells the story without a single intertitle. It’s a riveting and powerful tale of disillusionment and violence. The lead actress is wonderful and has some of the best eyes for silent film I’ve ever seen.
The Last Harvest – A Film by Heidi Phillips
Canadian experimental filmmaker Heidi Phillips made this little ghost story film that could almost as easily be called a memory film. Mike Everleth over at Bad Lit: The Journal of Underground Film has some good comments in his review of the film.
Roland’s Adventures in Wonderland – A Film by Istvan Horkay
Artist Istvan Horkay made this strangely mesmerizing film that combines Alice in Wonderland, the elephant man, 19th century theater, silent film, modern computer graphics, children’s illustration and digital readouts. There are three films going on at the same time in a beautiful triptych.
Culture Shock, Level One – A Film by Bill Mousoulis
Bad Lit: The Journal of Underground Film posted a film by Bill Mousoulis called The Experimenting Angel. I liked it. So I’ve posted another of Mousoulis’ films. It features Jennifer Levy who returns from a long absence to Australia and feels dislocated while visiting a city. She wonders why the people seem so ‘deflated’ as they wander through various public/corporate spaces like malls. The film captures something increasingly common worldwide which is that quiet, blank, but seemingly normal behavior encouraged by any structure designed and erected with a corporate idea behind it. We all know how we are expected to behave when we walk past a row of Gaps, Starbucks, Banana Republics and Wetzle’s Pretzels. We obey. We perform the routine and go about our business making sure that we are perceived as correctly normal. We are guests in someone else’s house, even in our public spaces. We behave like new guests, ingratiating ourselves to the dome camera in the ceiling. The cell phone is the absolute symbol of complete obeisance to the corporate superstructure looming above us. We are told to engage in meaningless chatter while we walk, drive, breathe, eat, date, watch movies, run, bike, and work. We are told to do this until it seems like normal and seems to make perfect sense. It is as logical as being told to drop a penny on the ground every third step for every day of your life. Steve Jobs tells you to leave him a penny on the ground every third step of every day of your life… and you damn well do it. You know how many times Steve Jobs uses a cell phone during an average day? None. Why? Because he’s much smarter than you are.