Aleph: California Beat Artist Wallace Berman’s Only Film

by Cimaxion

While I was running through the Getty Center’s flagship portion of the massive citywide ‘Pacific Standard Time‘ art exhibit, I was struck by just how great this Wallace Berman fellow really was. Known primarily as the ‘father’ of assemblage art, he was also a member of the Beat Movement. He made a single film which occupied much of his time through the 1960s and 70s. It’s less than eight minutes long and it’s a drop dead gorgeous thing to see. He’s one of those film artists interested in what I like to call the messy image. The film seems to have been dragged through ink and dirt. It’s been scratched, wrinkled, folded, cut, slashed and stained. Letters flash by like subliminal messages. Pop culture crashes into modern art. He films magazines, papers, radios, faces, hands, rock stars, body parts, buildings, streets and apparently just about everything he had lying around in his studio. This film is a quiet little reminder that crystal clear HD and super sharp focus are not anywhere near the concerns of some artists.

And here is California assemblage artist George Herms talking about Berman recently as part of the Pacific Standard Time series of exhibits:

Crosscurrents: Film About Pacific Standard Time Art Exhibits Focused on Los Angeles Art From 1945 – 1980

by Cimaxion

Pacific Standard Time is a massive overview of Los Angeles art from 1945 to 1980. At least sixty galleries and museums are taking part over the next few months. I have already been to the largest exhibits at the Museum of Contemporary Art, Los Angeles County Museum of Art, and the Getty Center. The whole thing is a lot of fun and I have discovered artists I never knew about before. There are magnificent things on display and the curators have also published big books to go along with each exhibit. I seriously recommend that you always get the books because they have far more information in them than the exhibits themselves. I view it as my own effort to compile a record of this unique regional art show.

You can find almost everything you need at the Pacific Standard Time web site.

This film was put together for the Getty Center’s flagship exhibit, Crosscurrents, which covers 1950 to 1970. It’s a very nice little documentary about some of the major art developments in Los Angeles.

Congress Attempting to Hand U.S. Military the Power to Disappear Americans

by Cimaxion

The U.S. Senate passed the National Defense Authorization Act which codifies into law the power of the U.S. military to arrest and detain Americans indefinitely, without any legal charges and without any oversight whatsoever. In other words, the United States government is handing its military the power to disappear anyone it wants to. The bill apparently designates the entire planet as a battlefield and makes it legal for the military to imprison U.S. citizens for any reason. No evidence of any wrongdoing is required. The military could simply suspect or dislike you and make you vanish. Forever. No one will even know what happened to you. A soldier can drive up, grab you, put you in an unmarked van, take you to a military prison, and keep you there until you die. That is exactly the same authority wielded by every South and Central American dictator over the past sixty years. It’s a power used by dictators and authoritarian police states across the globe.

Only seven Senators voted against this terrifying bill. They are:

R-Rand Paul (KY)
R-Thomas Coburn (OK)
R-Mike Lee (UT)
D-Thomas Harken (IA)
D-Ron Wyden (OR)
D-Jeff Merkley (OR),
I-Bernard Sanders (VT) (one of 2 Independen­ts in the Senate)

Well, now you know. It would seem clear that the other senators are becoming a threat to civil rights and the protections of the U.S. Constitution. I don’t really see any way to logically argue in favor of these people or support their continued presence in the Senate.

The Obama administration has said that the President will most likely veto this bill if it reaches him. But it is Obama who has opened the door for this bill by resolutely defending his right to kill any American citizen that he defines as an enemy… without charges and without trial. Our President now executes Americans without trials. And now our Senate wants the military to snatch people without trials.

Here’s the Facebook page for ‘One Billion Against Indefinite Detention Without Trial Law.‘

Trailer for Disney’s John Carter Film

by Cimaxion

Here’s the first official trailer for Disney’s upcoming film, ‘John Carter.’ It’s an odd way to retitle Edgar Rice Burroughs’ science fiction novel, ‘A Princess of Mars.’ But that’s what they’ve done. I don’t imagine there are too many people who will go see a movie named for someone called John Carter. But anything is possible. If you’d like to put up with some very bad writing by Mr. Burroughs, you can listen to Candlelight’s complete audio book version of the novel. I’m not sure why I recorded it at all. Burroughs turned what should have been a short story into a novel by making all of his sentences run the length of football fields.

Attempt: A Short Film by Jennifer Sharpe

by Cimaxion | 2 Comments

The film seems almost out of time. It could have been filmed fifty years ago. The gently swaying palms of Los Angeles fit between buildings easily but seem to have a romantic life in this film. The music, a piece for theremin and string quartet by Herbert A. Deutsch, fits the imagery in Jennifer Sharpe’s film to perfection. This kind of filmmaking, done with a small camera and then edited and colored in a relatively simple digital editor, is very close to the simplicity of the poet working in a notepad or the artist sketching from her window. Sharpe’s films are deeply felt poetic expressions that seem to exist in the only possible form that they could have. She turns her video images into something close to painting, extending time and finding mystery in simple movements. She has a very gentle approach but with strength in her observation and emotional ability, sort of like a butterfly with steel wings.

You can find out more about Jennifer Sharpe’s digital videos and paintings at her web site.

The Rebel Set: 1959 Beatnik Film Noir

by Cimaxion

Gene Fowler, Jr. directed this peculiar Beatnik crime noir in 1959. It starts right off with a Beat jazz club and then just gradually slides into trying to be a crime thriller. It’s about an out of work actor, an unpublished novelist and a movie-star’s son who are teamed up by the club owner to pull off an armored car robbery. The Beat scenes start off in Los Angeles and then the action moves by train toward New York, with a four-hour layover in Chicago where the crime is to occur. I love all the jazzy xylophone music, the black-clad dancing girl, the paintings on the walls, the bohemian sleeping quarters and the silly little beards. I think we really need to bring back the whole idea of the Beat jazz club. I’d go for sure.

The movie has some great touches. Like the hard luck actor reciting Shakespeare’s ‘Taming of the Shrew’ along with an LP. There’s my favorite line, delivered by the club owner: ‘When in Rome, Sydney, do the Romans.’ The poet giving a performance with musical backing says, ‘The passengers on this sad train are the five senses.’

Happily Ever Over: An Epic Illustrated Fairy Tale by C Merry

by Cimaxion | 1 Comment

C Merry has created an epic rambling fairy tale that weaves her own modern perspective through the classic stories that children have been familiar with for centuries. The result is both humorous and unsettling. C Merry combines these tales with mythology and Christmas to explain things that have been long forgotten. It’s a beautiful way to start the holidays. You’ll find out that the Pied Piper had money troubles and was working out of his van. Santa Clawz is a wormhole-travelling wildman who began the holiday tradition of sneaking into houses to counteract the effects of war. Instead of dropping bombs, he dropped gifts. He was also descended from grizzly bears.

The story unfolds over a series of partially animated illustrations that are gorgeously detailed, showing squiggly pen lines inside every detail. These pictures are backed by a dense and mysterious soundscape.

What C Merry seems to be doing is connected the world’s most charming tales for children to the much deeper and darker subterranean world of mythology. It works. She has created a mystical world of danger and beauty.

You can also read the entire illustrated tale at the author’s blog.

The Mad Ones: A Brief History of the Beat Generation

by Cimaxion

Krystal Cannon (PersonTV) made this short documentary about the Beat Generation in which she not only narrates as Queen Elizabeth, but also plays various roles including Allen Ginsberg, Joan Vollmer, Bob Dylan, Jack Kerouac, John Lennon, Edie Sedgwick and Abbie Hoffman. She gives a clear account of the Beat movement then moves into the general social reaction. She also makes some very interesting points about how women were sidelined even though many of them made great contributions to Beat culture. I think that what the Beats were working on is in very fine hands indeed with Ms. Cannon at work.

Thanks to Marc Campbell at Dangerous Minds.

Behind The Wall: The Battle for LA’s Murals

by Cimaxion

Oliver Riley-Smith made this short documentary about the disappearing mural art of Los Angeles. It features a prominent muralist complaining about how murals have been ‘bludgeoned by graffiti’ and ‘censored by the city.’ Perhaps so. The city does make it difficult to get permits for murals. But I don’t really like murals. They tend to be stiff and unoriginal. I like the murals that have been vandalized by the graffiti artists. Sorry but I do. They are much more interesting than the clean murals which are entirely unimaginative and offer nothing to move art in any direction whatsoever. If muralists want to preserve their images, they should paint indoors. Look at the mural on the highway underpass wall that’s covered with graffiti at the 42 second mark in the film. Beautiful. Much better than the mural ever was. The muralist in the film says, ‘Museums are for the dead. I want life.’

Bullshit.

There’s a guy in this film called ‘Ghost One.’ I like what he says about art.  He’s realistic and open to whatever comes along.  He says that taggers mark up murals because they assume that their marks will have more longevity that way. That’s a very interesting thought. An artists seeks longevity by making his mark inside the work of another artist. Fascinating. Much more interesting than the murals. Such thinking shows possibility.

But then the film draws the two sides together and our muralist says he ‘hopes our two styles can work together.’ Well, they can’t really, but it’s a nice thought.

University of California Has Physically Attacked Tuition-Paying Students

by Cimaxion

University of California at Davis students staging a sit-in have been attacked by school police with massive doses of pepper spray. The use of weapons against tuition-paying students by the university is grounds for removal of any administration officials with knowledge of these tactics. This is disgusting. Students have a long-standing tradition of free expression on their campuses. Sit-ins are a harmless and excellent way for students to express outrage. The pepper-spraying police should at the very least be discharged. There should also be legal charges brought against them.

The spectacle of the university going after its students with weaponry and armored police thugs is simply outrageous. It’s an appalling act of stupidity and cruelty. This school should be hammered with lawsuits and public outrage. While Penn State University allegedly rapes small children, University of California blasts pepper spray into the faces of its kids. What the fuck may I ask is going on in this country? Our higher education system has typically been the only thing giving our country an edge internationally. Now it would seem that even that system is cracking.

It seems clear that every single protester at every protest nationwide should be armed with a canister of pepper spray to use against police. Their faces are vulnerable under the helmet guards. Every single protester with pepper spray. It looks to me like the time for passivity might be ending. There is a tactic that I think could be used against police. It would be the singling out of an individual officer by hundreds of protesters. The surrounding of a single officer might put the police ranks into a very uncomfortable position.

Congressional Effort to Censor the Internet

by Cimaxion

The ‘Protect IP’ bill before Congress would give corporations and the government the power to completely shut down internet sites without any due process just for posting a single copyright infringing link. So for a site like Facebook, if a single user posted a single copyrighted something or other, the government could simply pull the plug on Facebook and turn it off.

But chances are the law would be used to stifle expression and ideas from smaller sites. The government would simply have to accuse a site of being engaged in piracy and that site would be effectively terminated.

That’s a terrifying abuse of power. It would complete destroy the internet and anything resembling freedom of communication. This is a glaring example of how a small number of large corporations have taken total control of the Unites States government.

You can sign a petition and learn more at fightforthefuture.org/pipa.

Girls: A Violent and Gorgeous Film by Maureen O’Connell

by Cimaxion | 2 Comments

This film’s writer and director, Maureen O’Connell, is a student at the Royal Academy of Dramatic Art in London. The school doesn’t make a good first impression with all its diction and dialects. But her film does. I’m a bit of a jerk about British drama training. Derek Jacobi once made an offer of employment that I refused while asked for another beer. That’s my general attitude about the Kenneth Branagh tribe. Nobody’s ever produced duller Shakespeare than Mr. I-Am-a-Hard-Working-Shakespearean-Dammit! O’Connell comes from Ireland… usually an ace up an actor’s sleeve… except in Mr. Branagh’s case. If O’Connell can keep RADA off of her back, she might just have something very fine going on as a director. She’s made a great film here. There are some technical issues with sound that annoy me, but they seem easily solvable by simply converting a stereo track to mono and blending a few audio transitions together. Someone could fix that up in a few minutes for her.

The film is about a comfortably middle-class girl who seems disconnected from her family and friends. She takes a sudden turn toward what I can only call suburban violence. The film builds quietly toward a surprising viciousness that seems very real. O’Connell darts around the action like she’s making a documentary. She works well with actors, somehow getting large groups of them to create scenes that are shockingly realistic and disturbing. There’s not a hint of awkwardness in her camera work. In fact, she seems, along with director of photography Arthur Mulhern, to revel in what I call the messy image. It is my belief that only people who seek out messy images can become great filmmakers. I will not explain that too much. It should be obvious to any filmmaker. The film contains a crystallizing and gorgeous image where O’Connell points the camera into the sun and tracks a running group of teenagers after a fight. It’s a great image that violates the norms of video photography. In fact, I notice quite a bit of light leaking into the lens during the film. O’Connell’s violence is shocking but also mesmerizing. She approaches it in a slightly off-kilter manner that I can’t quite get a handle on. Just when you think it’s time for her to calm down and quiet things, someone gets kicked in the face. She just has a natural sense of drama.

Her lead performer, Marilyn Bane, conveys her role brilliantly. She is a cross between likeable innocence and brute savage that I want to hit with a baseball bat. Really fine work. All the actors are terrific and the group of ass-kicking girls is just horrifying.

So this Maureen O’Connell is probably going to be making something very fine for the BBC soon. Get ready for it. Because it won’t be pretty. But it’ll leave a big bruise for a long while.  She’ll most likely have to get over all that RADA stuff.  Although, to contradict myself slightly, she does do this nice little Romeo & Juliet thing that I listened to!