The Religions of the World Are the Ejaculations of a Few Imaginative Men

You may recognize the source of the quotation that serves as title to this post.  It’s Ralph Waldo Emerson writing in his 1844 essay, ‘The Poet.’ Emerson is the intellectual bedrock of America.  He is a founding father of thought.  He embodies the true spirit of America and represents her coming of age.  Certainly, there were smart people before him.  But something in his character and thinking best express the searching confidence of the American intellect that flourished between the Revolution and the Civil War.  If you are a bit lost, a bit depressed, creatively mired, at sea, confused by the cascade of information delivery, then just go pick up a book of Emerson’s essays.  You will become calm.  You will wonder why he gets such a sudden grip on you.  You will read and re-read nearly each and every single sentence.  You will then ignite.  Your depression, your stasis will be ended.  You will be leaping ahead of yourself to learn something new – to make something – to observe something.  Do not doubt me.  I know whereof I speak.  Emerson is the most modern and most quintessentially American mind in the history of this country.  He is also one of the greatest and most productive philosopher poets to have ever lived.  Henry David Thoreau and Walt Whitman, two of this country’s greatest writers, were friends of his.  In fact, the three men are essentially responsible for the entire construction of the American mind.  Their basic contribution, as I see it, was to modify the puritanical sense of religion that was rampant in this country and inject it with something based on Eastern thought.  The mode of thinking which most closely resembles Emerson’s is Buddhism.

Here’s a fascinating line of thought from Emerson’s ‘The Poet’ essay:

The poet knows that he speaks adequately then only when he speaks somewhat wildly, or “with the flower of the mind”; not with the intellect used as an organ, but with the intellect released from all service and suffered to take its direction from its celestial life; or as the ancients were wont to express themselves, not with the intellect alone but with the intellect inebriated by nectar.

Most poets and musicians actually misinterpret that part to mean that they should experiment with drugs as mind-openers.  Everyone from Jack Kerouac to Bob Dylan to Keith Richards has apparently made this rather simple-minded misreading of Emerson.  Or perhaps they didn’t read him at all.  I suspect they could have saved themselves an enormous amount of distraction and a few suspect singles if they’d simply finished reading this magnificent essay.

He goes on:

This is the reason why bards love wine, mead, narcotics, coffee, tea, opium, the fumes of sandalwood and tobacco, or whatever other procurers of animal exhilaration. All men avail themselves of such means as they can, to add this extraordinary power to their normal powers…

But it’s a false road.  He continues…

Hence a great number of such as were professionally expressers of Beauty, as painters, poets, musicians and actors, have been more than others wont to lead a life of pleasure and indulgence; all but the few who received the true nectar; and, as it was a spurious mode of attaining freedom, as it was an emancipation not into the heavens but into the freedom of baser places, they were punished for that advantage they won, by a dissipation and deterioration.

If writing today, Mr. Emerson might well add Internet information overload to his list of baser and false nectars.

Milton says that the lyric poet may drink wine and live generously, but the epic poet, he who shall sing of the gods and their descent unto men, must drink water out of a wooden bowl.

If thou fill thy brain with Boston and New York, with fashion and covetousness, and wilt stimulate thy jaded senses with wine and French coffee, thou shalt find no radiance of wisdom in the lonely waste of the pine woods.

One must keep it simple.  Emerson defines the poet as someone who can free us from thoughts that bind us.  We can, like the man who freezes in a snowstorm just a few steps from his door, be locked forever in a single thought that lies just next door to the thought that could completely free us.  A single liberating thought can be inches away but forever locked out of view.  The poet can, by breathing his or her truths into our ear, unlock our thoughts and free us in a split second.  A flash.  We don’t even need to understand what it is that the poet is saying.

The poets are thus liberating gods.

I like that.  It just sounds awesome.

And here is an excellent documentary film about Ralph Waldo Emerson. Watch it.

CHAD MU$KA x CYRCLE presented by AJL: An Art Film

I was filming a ton of shots on Melrose Avenue this past Friday and I stopped purely by chance in front of this piece at the De La Barracuda wall where I took closeups of various parts of the image. I didn’t realize it had just gone up and was a collaboration by artists Chad Muska and Cyrcle. This fun art film is by Adolfo J Lara.

Found the film via Melrose & Fairfax.

William S. Burroughs Ditched Scientology

Here’s an article from I09.com about how William S. Burroughs was, for a period, fascinated by Scientology.  He joined and even used many of the group’s principals in some of his work.  But he eventually turned against the group because he recognized that they were more interested in maintaining a corporate hierarchy of secrecy than in pursuing genuine ideas.  It’s natural for a writer of Burroughs’ genius to be curious and to find the best in a group like Scientology.  It is also natural for him to see through the horse shit and ditch the idiots in a Hollywood Boulevard gutter.

Here’s a good read about Burroughs and Scientology from Dangerous Minds.

Shepard Fairey – Obey to be Better!

Here’s a very nice short film about artist Shepard Fairey whose Obama poster in 2008 became one of the most well-known symbols of the campaign. I started off not liking Fairey’s images even though I purchased one of the Obama posters. I saw lots of reuse and fascism. But I usually have great trouble with and distaste for things that I wind up genuinely admiring. I think Fairey makes absolutely stunning images.  I recently purchased a brand new signed print of his.  I can’t wait to hang it!  Their beauty is both easy and difficult. They are harsh and bombastic even while containing great subtlety. Fascinating artist. I think the statements he makes about copyright are generally correct. But I also think that he was rude in not crediting the original photographer behind the Obama poster image. But rudeness does not make for copyright infringement. I’m sure he’s a very nice guy and I’ve noticed that he has no problem with crediting photographers on his web site.  I also have a secret little reason for liking the T-shirt he’s wearing.

This film was made by Gestaltin TV in Germany.

Documentary On Alejandro Jodorowsky’s Unmade Dune Film

Twitch Film has posted a preview of a documentary that is currently in production on the unmade 1974 Alejandro Jodorowsky version of Dune. It is nice to see a man talk about making something the way Jodorowsky does in this short clip.  When I see that kind of open enthusiasm I want to be in the same room.  Quite frankly, I would much rather have the Jodorowsky film of Dune than the piece of vapid nonsense that was actually made by David Lynch.  The general rule is if you see a movie with Sting in it… run for the exits. Documentaries are wonderful, but Jodorowsky really should make his version of the book now.

Wall – Ethos: A Film by Alessandro Cima

Brazilian artist Claudio Ethos works on his first Los Angeles art piece. I happened upon him down on Main Street and thought he was a worker about to paint over a painting of a face. I started shooting and after several minutes realized that he was the artist.

Charlie Is My Darling: 1965 Documentary Film About The Rolling Stones

This is a 1965 film by Peter Whitehead that follows the young Rolling Stones around on a tour of Ireland. The film is ragged and jittery, catching odd moments on trains, in rehearsal rooms, in cars and on stage. There’s a fascinating bit where Brian Jones talks about wanting to make a surreal film about love. The general sense I get from watching this is of these magnificently talented young guys becoming aware of what they actually are. They are awakening to the fact of what they are doing and they are working out all the little moves. Jagger looks in every scene to be crafting in masterful detail exactly how Mick Jagger will move and talk. It’s a fascinating glimpse at artists creating the very personas they will present to the world.

There’s more about the film at Dangerous Minds.

Joe Strummer: The Future is Unwritten

Mature Content

This is a 2007 documentary film by Julien Temple about legendary British punk rock musician Joe Strummer.  The film conveys the messy aggressive work required if you want to really do what you really want to do.

Here’s the film’s official website where you can order the DVD.

Part 2:

Parts 3 – 11 after the jump

Continue reading

TED Film From Arrested Chinese Artist

This is a film presented at the TED conference from the famous Chinese artist who was recently kidnapped by Chinese authorities. He has completely vanished along with thousands of other artists, journalists, writers, intellectuals and human rights workers who have been taken in the past several months. This artist speaks very simply and clearly about the situation in his country where his government watches him all day long and sees nothing wrong with bulldozing his studio to the ground because he expresses some criticism of what he sees around him.

What I do not respect about this video is the simpering nitwit from TED who introduces the film by stating that the TED conference takes no position on China. He then goes on to bend over for China and mentions how many people have been lifted from poverty in China. How far up China’s ass can this guy fit his head, I wonder? How can any organization not take a position on China? I’m sure if Hitler were around today and rambling across the land on an extermination campaign, this bunch from TED would take no position on that.

Look at this little notice on TED’s YouTube page where the film is hosted:

TED is a non-partisan, nonpolitical organization and we understand the Chinese authorities concern at anything which might provoke social unrest. But for anyone who believes in the power of ideas, of human imagination, it is heartbreaking to see one of the world’s great artists shackled in this way. We will be tracking developments carefully. Here is the film.

TED ‘understands the Chinese authorities concern at anything which might provoke social unrest!’

Oh my god!  Yes indeed.  They understand this concern of a totalitarian murdering government that is more than happy to make people vanish into prison because they want to complain about being beaten by a policeman.

Hey TED, here I come with my ticket!  Gosh, I wouldn’t want you to be concerned that I might boo one of your presentations.  Wouldn’t want that, would we?

Lifting people out of poverty in China is not what we need to be doing. We need to be shutting these people out entirely. We need companies that do not fill their computers with Chinese parts. We need toys that do not come painted with Chinese lead poison. We need to treat this totalitarian country the way it deserves to be treated. A rich China doing business with every company on the planet is not going to advance freedom for anyone. China needs to be pushed into abject and brutal poverty. Only then will the conditions exist for a revolution.

I opened up my Dell computer the other day to blow some dust out. The first things I saw were multiple ‘Made in China’ stickers on various components. Screw Dell. Screw every Western company that buys a single circuit board from China. Screw China.

Ford Magic Skyway Film from 1964

At the 1964 World’s Fair in New York, Walt Disney built the Ford Magic Skyway ride which took visitors on a ride in Ford cars through history and into the future. It makes me realize that all we are really doing when we visit Disney theme parks is celebrating nostalgia for the 1950s and 60s. Were we ever naive enough to actually attend a World’s Fair?