Histoire(s) du cinema: According to Jean-Luc Godard

Between 1988 and 1998 filmmaker Jean-Luc Godard made a film called ‘Histoire(s) du cinéma.’ Though it purports to be a sort of cinema history, reflecting on how cinema intersects with the 20th century, I think it is more likely a vision of how cinema works in the mind of one filmmaker. The images drift in and out, overlapping and complimenting one another just as they would in the mind. Don’t look for accuracy or understanding. Just watch the film. It’s very difficult to find pieces of this lengthy work online. But these are three good chunks and they certainly stand up as a taste.

More about the film at Mubi.

Beauty and Love Are Another Song – Song About the Youth Uprising in England

Michel Montecrossa’s latest video examines the desperation behind the rioting in Great Britain. His direct and heartfelt approach works to cut through all the recent bullshit about the rioters being simple thugs with nothing more on their minds than robbery and destruction. Riots are open wounds that erupt after enormous damage has already been done to a population. The seething pressure is always there for a long time before exploding in everyone’s faces. By definition, riots involve damage and robbery. What else would there be to do at a riot? Riots are anger and desperate hopelessness that cannot be controlled. Yes, of course one must punish people who burn down buildings. But one must also have the intellect and social responsibility to seriously look at why children and adults would feel so awful that the only thing they can think of doing is burning down a city. That is serious rebellion and it is going to spread. The world is under incredible economic pressure and the people who suffer understand that governments tied to extreme wealth and corporate interests are responsible. Populations are going off like bombs. The uprisings in the Middle East are directly connected to the uprisings London because both groups of people have become aware that the same corporations control what happens in both places. The dictators and authoritarian regimes in the Middle East are kept there because they provide certain corporations with efficiency in the region. Assad is exterminating people in Syria because it is convenient for Western companies and politicians that he do so. The Western governments have wanted globalization and now they’ve got it. Globalization of uprisings and riots. One must remember that the riots in Great Britain were started by a policeman who killed a young man. A policeman who chose, just like the policemen in Syria, to point his gun and fire a bullet into the body of a human being. A violent reaction to such an act should be expected in most cases.

Michelmontecrossa.com

Voices: Documentary on Jean-Luc Godard Filming ‘One Plus One’ with the Rolling Stones

Here’s a film begun by director Richard Mordaunt. It shows Jean-Luc Godard working on scenes from his film, ‘One Plus One,’ that featured the Rolling Stones as they recorded ‘Sympathy For the Devil’ in 1968. Godard always has something nearly unintelligible to say but which ends up making perfect sense later on. You might also note that Godard seems to have very little in the way of a plan as he shoots his scenes. He appears to discover his scenes as he goes.  That is the only kind of intelligence in filmmaking that I can truly respect.  A director with a storyboard is usually a jackass.

Thanks to Paul Gallagher at Dangerous Minds.

Documentary Film: Secrets of the Arabian Nights

Of all the pages here on Candlelight Stories, the page devoted to the tales of the Arabian Nights is the single most popular. I love to post about these fantastic and free-wheeling adventures. Here’s a wonderful BBC documentary that communicates not only the far-flung and enduring history of the tales, but also the wild sense of imagination allowed to roam freely. Reading the Arabian Nights gives one a sense of how brilliant, winding, layered and abandoned literature can be.

Los Angeles Plays Itself: Documentary Through the Eyes of Fiction

This astounding 2003 documentary by Thom Andersen takes what I am certain is the most thorough look ever at how films, both popular and obscure, have depicted the city of Los Angeles. Through the accumulation and precise organizing of clips, Andersen actually describes the essential heart of Los Angeles better than anyone I have seen before. Unfortunately, the film has never been released due to rights issues with some of the clips in the film. I can’t imaging what those issues might be since this all looks like fair use for a documentary to me. This is quite obviously a journalistic essay and he has every right to use the clips in short portions.

The film’s narration has a sort of dry weariness that tends to fit the general tendency toward crime or noirish films and their views of the city. His description of the brutal destruction of Bunker Hill is a masterpiece of documentary filmmaking, illustrating the horror of a corporate dead zone built on top of a once vibrant and colorful community that served as inspiration to many down-at-the-heel artists like John Fante, the great Los Angeles novelist who wrote ‘Ask the Dust.’

Andersen moves through a dizzying array of films including, Point Blank, Zabriskie Point, Double Indemnity, The Outsider, The Exiles, Kiss Me Deadly, Chinatown, The Omega Man, Blade Runner, Heat, Rebel Without a Cause, and many many more. It’s a tour with attitude through Hollywood’s fascination with Los Angeles. It’s also a look at how wrong many depictions of the city have been – how twisted, altered, faked and misrepresented L.A. has been. The film is a lifelong Los Angeles resident who knows what’s missing in the superficial portraits of the city and gets mad about it. But in general, Andersen’s film gradually and unremittingly builds a detailed portrait of the city like no other portrait ever attempted. He reserves some snide comments for a director that I have always considered to be one of the best at portraying L.A., Michael Mann. Andersen’s comments about the characters of ‘Heat’ who live in the hills overlooking the flats of L.A. are accurate but somewhat literal. Here’s an article that Andersen later wrote about Mann’s film ‘Collateral’ which was apparently an improvement on the city’s portrayal.

But Andersen’s irritation with fakery and distortion are what make this film work. He insists on showing the false, exposing it for what it is, and then showing us a contradictory viewpoint. One of the kickers in this magnificent film is when Andersen makes a very obvious and clear note of Steve Martin’s racist perspective on Los Angeles in ‘L.A. Story,’ where any non-white character must work in a restaurant. Frankly, I’m so tired of hearing about how brilliant the idiotic and dull Martin is that I vote for this film on that basis alone! He has scathing remarks for writers like Joan Didion who wrote about car culture, maintaining that nobody walked in L.A., but really meant to say that no rich white people walked in L.A. Meanwhile, the city has always had a huge and fully utilized mass transit system.

A further thought that comes to me while watching this film is that over the past 100 years, racism in the U.S. has in fact been led and encouraged by Hollywood. The mass majority of its product over the decades has portrayed non-whites in demeaning fashion. The treatment of black characters throughout the Hollywood studio heyday is an embarrassment to the nation. All you need to know about Hollywood is on view in any Spencer Tracy/Katherine Hepburn romantic comedy. Just watch the way they treat their household employees. Casual and appalling.

I found this film while working on my own Los Angeles film that looks at the city through the prism of the imagination as conditioned by films. But my film looks at this distortion as actually being the real heart and living soul of the city. What makes Los Angeles the greatest American city is precisely its hidden history, its distorted images, and its ability to exist in different forms entirely within the imaginations of people who think they live there. There are vast numbers of people who live and work in Los Angeles who have never actually seen Los Angeles. When you summon the false gods and demons of L.A. they actually appear.

Part 2:

Parts 3 – 12 after the jump…

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Redbook’s Portrait of the American Suburbs: 1957 Advermentary

Seems almost like a horror film on its surface. This is a 1957 documentary/advertisement for Redbook Magazine. But it presents a portrait of the American migration to suburbia that one could film in almost exactly the same way today. There’s nothing in here that you can’t find looking just the same today. The film’s constant referral to the ‘young adults’ who cherish their lives away from the crowded cities begins to sound downright weird after the tenth repetition. These ‘young adults’ can still be found today in suburbs all around Los Angeles. I’ve had plenty of backyard experience with these suburban young adults. You walk out into your pool area and you hear the neighbors playing some loud music. You know what they’re playing? Bad Company. The Who. Bruce Springsteen. The Bee Gees. John Cougar.

Living in the past. Some glory days lived right around high school graduation time. Then it was all downhill from there and a job that paid for the Sea-Doo and the Ford pickup. Spit in your barbecue if you know what I’m talking about.

There’s some damn fine filmmaking going on in this little advermentary though. I love the shots in part two with the car’s sideview mirror and the suburban yard people.

Henry Miller Discusses Life, Love, Sex, Art, Writing, Jung and Enlightenment in His Bathroom

MATURE CONTENT – NUDITY:

The great American writer, Henry Miller, walks into his bathroom in 1973 and talks about all the fascinating pictures on the walls. Here’s a guy who can kill zombies with his words. I’ve always considered him to be an antidote to the lifeless people one must engage with on a daily basis. The people who get into cars and make their way to offices, then return to relax with a television and cook at the barbecue built into the island on the patio. You can reconnect with life by reading Miller’s books. You can once again feel that the world is actually a place where art and passion exist. Miller excites imagination. He makes you want to live harder and better. Listen to him talk in his bathroom! Anyone who can be this fantastic in his bathroom has got something marvelous going on.  The film was shot and directed by Tom Schiller.

BBC New York Punk Rock Documentary

Here’s an excellent BBC documentary on the origins of punk, hip hop and disco in the New York City of the 1970s. It was a hard time in the city but it held a wild energy that kept pressing up and inventing new things. What hit me about this film is how good Patti Smith really is.

New York since then, however, seems to have signed an unlimited contract with the Gap as a retail outlet. I think anyone with a streak of punkishness in them moves out to Los Angeles.

I found this via the excellent curatorial efforts of Rob Smart on Facebook.

Killing the Net: A Film by Duncan Elms

This short film by Duncan Elms explores the danger of an Internet that can be shut down quite easily by governments that want to suppress free expression or crack down on popular movements toward freedom. The recent experience of Egyptians trying to stage a revolution and spread information about it amongst themselves and to the world should be very informative. The Mubarak government was able to turn off Internet access throughout the nation. Even in the U.S., President Obama has sought the power to switch off the Internet if he declares an emergency. That effort has since been watered down, but it is clear that the U.S. government does in fact seek a method for shutting down the Internet.  The continued treatment of China, a nation that monitors every single word typed into a web site, as even remotely civilized is an embarrassment to the entire world.  Those people won’t even allow a person to think freely, much less post freely on the web.  There must be a way to maintain worldwide access to the Internet that is beyond the control of any national government, including the United States government.

NYPD Moron Gives Bicyclist Ticket for Not Riding in Bike Lane

Casey Neistat is a New York bicyclist who got a ticket from some moronic New York City police officer who felt that Casey should ride in the bike lane… no matter what. So the camera-wielding rider made a video about the whole affair and why the cop was totally wrong. But look at this drooling goober hired by New York to wear a uniform. If this is the standard of police intelligence in good old NY, then god help those poor island dwellers! A bicyclist can be killed by staying in a bike lane, as this video so clearly illustrates. You do not have to stay inside a bike lane. Bikes are legally entitled to occupy traffic lanes if the rider determines that to be the safest course.