Yearly Archives: 2011

Pacific Standard Time: Los Angeles Art From 1945 to 1980

by Cimaxion

Don’t let anyone ever tell you that it doesn’t matter where you are when you make art. It matters very much. You have to know who’s buried in the ground that you’re dancing on. You have to know what’s in the air. You have to know who walked where you are walking now. If you don’t know those things, you might as well be working via modem from an igloo in the antarctic. This Pacific Standard Time thing is a bunch of galleries in Southern California working under the general umbrella of the Getty Center to put on exhibits of post World War II through 1980 art by Southern California artists. Los Angeles is the only great American city that hasn’t been entirely bombed by corporations yet. New York has been a dead zone since 1980. I lived there for almost ten years. Every footstep taken in that city was like a death march for me. The oppression of mind that goes on in New York is akin to being trapped inside some sort of giant grinding machine that keeps on working even though all its parts are broken. Coming to Los Angeles was like seeing the horizon for the first time. The city opens out and spreads with a psychotically unhinged freedom and chaos that is the very essence of creativity. It is the perfect antidote to the black death of New York. This is apparently the first art exhibition of its kind ever. An entire region is presenting its art and imagination for all the world to see. There are going to be roughly sixty different shows happening over the six months of this thing.

Pacific Standard Time is a collaboration of more than sixty cultural institutions across Southern California, coming together for six months beginning in October 2011 to tell the story of the birth of the Los Angeles art scene and how it became a major new force in the art world. Each institution will make its own contribution to this grand-scale story of artistic innovation and social change, told through a multitude of simultaneous exhibitions and programs. Exploring and celebrating the significance of the crucial post-World War II years through the tumultuous period of the 1960s and 70s, Pacific Standard Time encompasses developments from L.A. Pop to post-minimalism; from modernist architecture and design to multi-media installations; from the films of the African American L.A. Rebellion to the feminist activities of the Woman’s Building; from ceramics to Chicano performance art; and from Japanese American design to the pioneering work of artists’ collectives. Initiated through $10 million in grants from the Getty Foundation, Pacific Standard Time involves cultural institutions of every size and character across Southern California, from Greater Los Angeles to San Diego and Santa Barbara to Palm Springs.

How Walt Disney Cartoons Are Made: 1939 Documentary Film

by Cimaxion

Here’s a wonderful glimpse into the animation techniques that were pioneering at the time of Disney’s first feature-length animation, ‘Snow White and the Seven Dwarfs.’ You get to see some shots of Snow White being drawn and photographed, sound effects being recorded, and people arriving at the premiere. You also get a good dose of the Disney sexism in which all women who work on a film are referred to as ‘pretty girls.’ It’s basically an advertisement for the film, but it’s a good one.

 

Light Up: Animation by Aveline Stoquart and David Duvieusart

by Cimaxion | 1 Comment

‘Light Up’ is a short animation by Aveline Stoquart and David Duvieusart.  Students at the Haute École Albert Jacquard in Namur, Belgium also worked on the film.   A girl who is into astronomy lives in a totally starless world. One evening she sees something new and gets into her little flying machine to investigate. I love the scene in the little plane. It’s a very simple charming little story, gently told and well-animated.

 

NASA Captures Images of Apollo Astronaut Moon Tracks

by Cimaxion

NASA’s Lunar Reconnaissance Orbiter has captured images of astronaut tracks, lunar landers, and left behind equipment from the Apollo 12, 14 and 17 moon missions. These are the sharpest images ever taken of the moon and should give fake moon landing conspiracy nuts a whole new bag of clues to play with.  We can’t rebuild what we once understood and get ourselves back to the moon, but we can take pictures of our past glory.

Trip to Moon: Bizarre Bollywood Sci-Fi Spectacle

by Cimaxion

Oh dear! What have we here? This is a Bollywood science fiction (and I use that term very lightly!) film that was apparently made in 1967, though it looks more 1950s to me. It was directed by one T.P. Sundaram. It is ostensibly about an astronaut who gets kidnapped to the moon and then has to fight for the moon princess and her kingdom when martians try to invade. The movie is a roaring low-fi spectacle with songs, fights and cheesy cardboard special effects. Spaceship controls are actually steering wheels. If you want some good advice, skip through to the 2 hour 15 minute mark and just watch the glorious action sequence that closes the film. You will see grown men fighting with giant sparklers aboard a crash-landing spaceship. You’ll see robots, a Cyclops, and two men engaged in a lunar surface wrestling match that makes Captain Kirk look like Bruce Lee’s star pupil. You will then see a rhinoceros. If you are not laughing hard enough to burst a vessel of some sort, then I don’t think anything can be done for you!

PEOPLE ARE THE PRESS: Federal Court Rules it is Not Illegal to Film Police or Government Officials

by Cimaxion | 1 Comment

In what I consider the most important recent news event, the Federal First Circuit Court of Appeals in Boston ruled that citizens have the legal right to film police while they are performing their public duties.

The case involved attorney Simon Glik in Boston who observed an arrest in the Boston Common that he thought was abusive.  So he flipped out his cellphone camera and filmed the cops.  They arrested him.

The Court has responded to this – one of the increasing number of cases nationwide in which cops try to take cameras from or arrest citizens who try to record them during arrests – by affirming a lower court ruling in Glik’s favor.  In this case, as in most similar cases, the police attempted to charge someone with ‘wiretapping’ because the video cameras are ‘secretly’ recording audio.  Of course any court recognizes that only a simpleton would associate using a video camera with wiretapping.

The Court stated:

The filming of government officials engaged in their duties in a public place, including police officers performing their responsibilities, fits comfortably within these principles [of protected First Amendment activity]. Gathering information about government officials in a form that can readily be disseminated to others serves a cardinal First Amendment interest in protecting and promoting the free discussion of governmental affairs.

Episodes of police misconduct, brutality and murder are increasing nationwide. Police powers are growing, government agencies are eavesdropping on Americans without warrants, personal data is being pulled into government databases, and security paranoia is reaching nearly hysterical levels. The fact is that the police are committing crimes – including murder – at an alarming rate. Cops are using violence against innocent demonstrators. They are killing helpless people in the subways of Oakland. They are beating homeless people to death in Fullerton, California. They are raiding political activist groups before and during public events on the chance that these groups might be planning something illegal. Filming these cops is absolutely the least that citizens should be doing.

The Court has made it abundantly clear that citizens have always had the legal right to use video cameras on the police and that arrests of citizens in these circumstances is illegal.  That is why all cases nationwide that police forces have brought against people with video cameras have been thrown out of court.

It should now be clear that police departments arresting people for filming are liable in civil courts.

The Court went further than its decision on filming police activities. It also stated that citizens recording police or government officials have the same legal protections afforded to the press. In other words: citizens are journalists.

The Court said:

Moreover, changes in technology and society have made the lines between private citizen and journalist exceedingly difficult to draw. The proliferation of electronic devices with video-recording capability means that many of our images of current events come from bystanders with a ready cell phone or digital camera rather than a traditional film crew, and news stories are now just as likely to be broken by a blogger at her computer as a reporter at a major newspaper. Such developments make clear why the news-gathering protections of the First Amendment cannot turn on professional credentials or status.

There is no legal definition of or requirement for being a journalist.  In fact, much of CNN’s video coverage comes from ‘iReporters’ who are citizen journalists filming events around the world and sending in their footage via the CNN web site.  Those people are fully protected by all the same laws that protect journalists and their sources.

I think this is a long-overdue and definitive ruling that clarifies legally what has been obvious all along.  People always have the right to film their police officers doing the public duties that public monies pay for.

Finally, and most important: People Are the Press.