Former Rage Against the Machine member, Tom Morello, who has been playing for and talking to Occupy Wall Street and Occupy Los Angeles, speaks with reporters about what is going on with this explosive movement.
And here is a repost of my film, ‘One Day Occupy L.A.,’ which features an incredible live soundtrack of Morello playing for the protest in Los Angeles just this week.
I believe that the eventual success of the Occupy Wall Street movement, which is spreading to many cities across the United States, depends upon its ability to change law. Ultimately, the movement must lead toward an amendment to the Constitution that bans corporate mixture with and influence over the state. It will resemble the separation of church and state, but it will be somewhat more precisely worded.
Sam Slovick made this 2008 documentary on skid row in downtown Los Angeles. The area is home to approximately 9,000 homeless people who deal with life on the streets, drugs, crime and serious physical and mental health issues. The film was made just prior to the massive economic collapse of 2008 when the numbers of homeless began to rapidly increase.
Parts 3 through 5 follow the jump.
I went down to the demonstration to make a film. I liked the people there. They were very focused and happy. They were talking, explaining, arguing, educating, dancing, singing, playing, making signs, painting, photographing. Some of them made speeches at the microphone. Some read poems. There were lots of cameras.
The music and words in this film are by Tom Morello (http://nightwatchmanmusic.com), former Rage Against the Machine guitarist. He sings his own ‘Maximum Firepower’ and Woody Guthrie’s ‘This Land is Your Land.’
The mood at City Hall was high energy and cheerful. The underlying anger and frustration of the movement seemed to be moving through a positive channel. It was exciting but also comfortable there because of the people and their open attitudes.
The Los Angeles police headquarters is directly across the street from the protest grounds. That’s where I began shooting my film – right into the windows of police headquarters. Several squad cars drove up First Street, but there was not a single cop anywhere near the protest area. The crowd is organized and respectful, but also very serious about its messages which are various and multifaceted.
The city has taken a protective stance over its protesters. I’m very proud of Los Angeles for this.
Occupy Los Angeles is one of the spreading protests coming out of the Occupy Wall Street protest in New York. Hopefully, the incredible momentum of the movement will continue and be heard very clearly across the country and the world.
The simple messages that I get from the protests are that government cannot function while it is under the control and influence of corporations. The economy cannot function properly while corporations and their extremely wealthy owners are allowed to operate without oversight and control. The country cannot pave its roads or build its schools or house its people while corporations and the wealthy play with money that is nearly tax-free, removing it entirely from the real world economy. The country cannot function as a democracy while its politicians and Supreme Court justices are working for corporations. The country cannot be free while racism and bigotry are increasingly seen as legitimate reactions to change. The country cannot be secure while corporations are given the power to run wars and people’s basic privacy rights are removed.
That’s what I see in the Occupy movement.
If every city in the U.S. could have as fine an Occupy movement as Los Angeles, they would be very lucky indeed.
Red Hot Chili Pepper, Anthony Kiedis rides along with L.A. artist, Ed Ruscha. They talk about using words for art and how that inspires them. I like shooting L.A. this way. The film uses the car and the streets well. I think I even see some duct tape holding Kiedis’ passenger door mirror together.
George Herms is one of Los Angeles’ great artists, having been a founder of the ‘assemblage’ or found object kind of art. Actor Dean Stockwell has been making art for many decades and apparently lives out in the desert somewhere. I think he’s one of those fake grumpy guys. I’m familiar with them. They try to set you off balance by pretending to be asses. The filmmaker, Paul Hasegawa-Overcracker takes his friends to visit both artists at home. Watch for Herms’ personal definition of High Definition.
This film shows how the protesters of the Occupy Wall Street movement organize themselves in lower Manhattan. They seem to be forming something like a little community with food services, minor first aid, a library, battery charging and even video editing services for all the people covering the action. These people are working hard and have an uncommon seriousness about them. This is something new. These are mainly young people. They are waking up from iPod oblivion and showing the world that they can make a difference in a democracy decayed by a corporate stranglehold over the government. These are people who can see that corporate management structures have totally occupied and taken over the United States government all the way up to and including its Supreme Court. In fact, there is no other way to dismantle this criminal structure. It can only be broken up by massive groups of angry protesters who simply never stop coming.
The film was shot and edited by Alex Mallis.
Here’s a simple and clear opinion piece about the reform movement represented by Occupy Wall Street.
Powerful unions have joined with the protesters at Occupy Wall Street. The movement is exploding across the nation, taking root in major cities like New York, Los Angeles, Chicago, and Washington, D.C. The protests are a direct reaction to the inability of the government to fairly tax its people even in the face of a major worldwide financial catastrophe. With the shrill and irrational assertions of Republicans and their Tea Party people sounding like some sort of majority opinion, people are getting out in the streets to show what the real majority really thinks.
Django’s Ghost has posted a stirring and rather enthralling video compilation of the ongoing and exploding phenomenon known as Occupy Wall Street. The film is set to several rock & roll protest songs and it gets across the feelings of rising anger and the public’s growing awareness that it can in fact stop the corporate takeover of the United States.
The protesters seem to me to be a rather intelligent and well-behaved crowd. Some of the New York police however appear to be overeager. Cops always end up on the wrong side of these things. They never get it right. Many of them seem to be pretty easy-going, but there are always the brutes that come stomping in and make a mess of things.
I love the way the crowd is so heavily armed with photographic equipment. The protesters are their own journalists!
This movement is spreading quickly. It’s come to Los Angeles at City Hall and is springing up in other cities as well. People are angry about the corporate takeover of their country and their Supreme Court. Losing a President to corporate interests is one thing. That is rather expected. Obama jerked us all around and then turned into a cheeseball from General Motors. But when our Supreme Court gets bought out and turns into a boardroom… well, that is a terrifying problem. That is just about the end of the line. A democracy cannot survive the corruption of the judicial branch.
Thanks to Marc Campbell at Dangerous Minds.
Extraordinary and crystal clear film of L.A.’s old Bunker Hill neighborhood. The entire area up the hill was blown out completely and basically strip-mined to make way for L.A.’s skyscraper district. On the one hand, it is a damn good thing the city isolated the destruction to the hill and left much of old downtown intact. But neighborhoods are always better than corporate complexes because people can actually do things in them. You can’t do anything in a corporate complex except hold a fake job that nobody needs anyway. You can’t even go for a walk on Bunker Hill anymore. Not really. You may think you can but you’re really just sneaking along next to a cement wall that’s meant to keep you out. Watching this film also makes it clear just how right they got 1948 Los Angeles in the recent L.A. Noir game.
UC Berkeley scientists have recorded the first images ever generated by a human brain. Amazing. They exposed subjects to video images while recording visual activity in their brains. When they played the recorded data back they got images corresponding closely to what the subjects had just seen. What I notice about the images in the video is that faces seem to work the best. That is interesting on many levels. Perhaps facial recognition is so hard-wired into humans that we are able to generate those images more clearly than all others. This work opens the door to the ability to reconstruct imagery from dreams and memories. It’s a staggering achievement. Magnificent. I simply cannot wait to try this sometime.
Thank you to Rob Smart on Facebook.
The Great Wall of Los Angeles is one of the longest murals in the world. It was begun in 1974 and took five summers of work by students to complete. It tells about the history of California. This short film was made by Donna Deitch.
Here’s a wonderful glimpse into the animation techniques that were pioneering at the time of Disney’s first feature-length animation, ‘Snow White and the Seven Dwarfs.’ You get to see some shots of Snow White being drawn and photographed, sound effects being recorded, and people arriving at the premiere. You also get a good dose of the Disney sexism in which all women who work on a film are referred to as ‘pretty girls.’ It’s basically an advertisement for the film, but it’s a good one.
When Sri Lanka banned goods from the north during a war with the Tamil Tigers, newspapers had to find the paper they needed for publishing. Kannan Arunasalam made this short documentary film about people who take their work in journalism very seriously.
Via Brain Pickings
This is a charming look at the world’s greatest bike race from 1962. I see that Louis Malle is credited as one of the directors. You can see the incredible efforts put in by racers in the mountains and how back in the early sixties they would eat fruit on their bikes and sometimes dart into village restaurants along way to snatch bottles of water, wine and ice cream! The film also mentions the issue of doping as it was practiced in 1962 which seems to have mainly been an effort to mask the pain. The one depressing thing about this film is that it shows the sport of bike racing in 1962 was as uniformly white as it is today. The complete lack of diversity in the Tour de France is a shame and an unforgivable embarrassment to the race itself and to the sport as a whole. The damn race is so white that it makes my teeth hurt to watch it. And I watch every stage of it every single year. So trust me, it’s an all-white event and the organizers and teams should be investigated for that issue which is actually far more important than the doping issue. Every single racer dopes. But quite obviously the dope is only given to white racers. The Tour de France is becoming a European NASCAR. Just go ask Lance.