Tag Archives: Los Angeles

Aleph: California Beat Artist Wallace Berman’s Only Film

by Cimaxion

While I was running through the Getty Center’s flagship portion of the massive citywide ‘Pacific Standard Time‘ art exhibit, I was struck by just how great this Wallace Berman fellow really was. Known primarily as the ‘father’ of assemblage art, he was also a member of the Beat Movement. He made a single film which occupied much of his time through the 1960s and 70s. It’s less than eight minutes long and it’s a drop dead gorgeous thing to see. He’s one of those film artists interested in what I like to call the messy image. The film seems to have been dragged through ink and dirt. It’s been scratched, wrinkled, folded, cut, slashed and stained. Letters flash by like subliminal messages. Pop culture crashes into modern art. He films magazines, papers, radios, faces, hands, rock stars, body parts, buildings, streets and apparently just about everything he had lying around in his studio. This film is a quiet little reminder that crystal clear HD and super sharp focus are not anywhere near the concerns of some artists.

And here is California assemblage artist George Herms talking about Berman recently as part of the Pacific Standard Time series of exhibits:

Crosscurrents: Film About Pacific Standard Time Art Exhibits Focused on Los Angeles Art From 1945 – 1980

by Cimaxion

Pacific Standard Time is a massive overview of Los Angeles art from 1945 to 1980. At least sixty galleries and museums are taking part over the next few months. I have already been to the largest exhibits at the Museum of Contemporary Art, Los Angeles County Museum of Art, and the Getty Center. The whole thing is a lot of fun and I have discovered artists I never knew about before. There are magnificent things on display and the curators have also published big books to go along with each exhibit. I seriously recommend that you always get the books because they have far more information in them than the exhibits themselves. I view it as my own effort to compile a record of this unique regional art show.

You can find almost everything you need at the Pacific Standard Time web site.

This film was put together for the Getty Center’s flagship exhibit, Crosscurrents, which covers 1950 to 1970. It’s a very nice little documentary about some of the major art developments in Los Angeles.

Attempt: A Short Film by Jennifer Sharpe

by Cimaxion | 2 Comments

The film seems almost out of time. It could have been filmed fifty years ago. The gently swaying palms of Los Angeles fit between buildings easily but seem to have a romantic life in this film. The music, a piece for theremin and string quartet by Herbert A. Deutsch, fits the imagery in Jennifer Sharpe’s film to perfection. This kind of filmmaking, done with a small camera and then edited and colored in a relatively simple digital editor, is very close to the simplicity of the poet working in a notepad or the artist sketching from her window. Sharpe’s films are deeply felt poetic expressions that seem to exist in the only possible form that they could have. She turns her video images into something close to painting, extending time and finding mystery in simple movements. She has a very gentle approach but with strength in her observation and emotional ability, sort of like a butterfly with steel wings.

You can find out more about Jennifer Sharpe’s digital videos and paintings at her web site.

The Rebel Set: 1959 Beatnik Film Noir

by Cimaxion

Gene Fowler, Jr. directed this peculiar Beatnik crime noir in 1959. It starts right off with a Beat jazz club and then just gradually slides into trying to be a crime thriller. It’s about an out of work actor, an unpublished novelist and a movie-star’s son who are teamed up by the club owner to pull off an armored car robbery. The Beat scenes start off in Los Angeles and then the action moves by train toward New York, with a four-hour layover in Chicago where the crime is to occur. I love all the jazzy xylophone music, the black-clad dancing girl, the paintings on the walls, the bohemian sleeping quarters and the silly little beards. I think we really need to bring back the whole idea of the Beat jazz club. I’d go for sure.

The movie has some great touches. Like the hard luck actor reciting Shakespeare’s ‘Taming of the Shrew’ along with an LP. There’s my favorite line, delivered by the club owner: ‘When in Rome, Sydney, do the Romans.’ The poet giving a performance with musical backing says, ‘The passengers on this sad train are the five senses.’

Behind The Wall: The Battle for LA’s Murals

by Cimaxion

Oliver Riley-Smith made this short documentary about the disappearing mural art of Los Angeles. It features a prominent muralist complaining about how murals have been ‘bludgeoned by graffiti’ and ‘censored by the city.’ Perhaps so. The city does make it difficult to get permits for murals. But I don’t really like murals. They tend to be stiff and unoriginal. I like the murals that have been vandalized by the graffiti artists. Sorry but I do. They are much more interesting than the clean murals which are entirely unimaginative and offer nothing to move art in any direction whatsoever. If muralists want to preserve their images, they should paint indoors. Look at the mural on the highway underpass wall that’s covered with graffiti at the 42 second mark in the film. Beautiful. Much better than the mural ever was. The muralist in the film says, ‘Museums are for the dead. I want life.’

Bullshit.

There’s a guy in this film called ‘Ghost One.’ I like what he says about art.  He’s realistic and open to whatever comes along.  He says that taggers mark up murals because they assume that their marks will have more longevity that way. That’s a very interesting thought. An artists seeks longevity by making his mark inside the work of another artist. Fascinating. Much more interesting than the murals. Such thinking shows possibility.

But then the film draws the two sides together and our muralist says he ‘hopes our two styles can work together.’ Well, they can’t really, but it’s a nice thought.

Los Angeles to Ease Restrictions on Murals

by Cimaxion

The Los Angeles Times reports that the City Council is easing its restrictions on outdoor murals.  It will no longer classify them the same way it does billboards.  Since 2002 it has been illegal to paint a mural on private or public property because the artworks are considered advertisements.  But Los Angeles is going to try to do a better job of distinguishing between the two.

Of course this will all get muddled again as soon as an artist paints a figure holding a can of Coke!  Is it art or is it an ad?  As a rule though, it is never difficult to tell when something is a giant ad and when it’s not.  It just takes a little common sense and observation.  Surely the City Council can manage this.

But the bottom line is that the murals of L.A. are inspiring and extraordinary.  The city needs to reclaim its title as ‘The Mural Capital of the World!’

The photo is a portion of a photo by Al Seib for the Los Angeles Times,  April 6, 2011.