Aleph: California Beat Artist Wallace Berman’s Only Film

While I was running through the Getty Center’s flagship portion of the massive citywide ‘Pacific Standard Time‘ art exhibit, I was struck by just how great this Wallace Berman fellow really was. Known primarily as the ‘father’ of assemblage art, he was also a member of the Beat Movement. He made a single film which occupied much of his time through the 1960s and 70s. It’s less than eight minutes long and it’s a drop dead gorgeous thing to see. He’s one of those film artists interested in what I like to call the messy image. The film seems to have been dragged through ink and dirt. It’s been scratched, wrinkled, folded, cut, slashed and stained. Letters flash by like subliminal messages. Pop culture crashes into modern art. He films magazines, papers, radios, faces, hands, rock stars, body parts, buildings, streets and apparently just about everything he had lying around in his studio. This film is a quiet little reminder that crystal clear HD and super sharp focus are not anywhere near the concerns of some artists.

And here is California assemblage artist George Herms talking about Berman recently as part of the Pacific Standard Time series of exhibits:

Crosscurrents: Film About Pacific Standard Time Art Exhibits Focused on Los Angeles Art From 1945 – 1980

Pacific Standard Time is a massive overview of Los Angeles art from 1945 to 1980. At least sixty galleries and museums are taking part over the next few months. I have already been to the largest exhibits at the Museum of Contemporary Art, Los Angeles County Museum of Art, and the Getty Center. The whole thing is a lot of fun and I have discovered artists I never knew about before. There are magnificent things on display and the curators have also published big books to go along with each exhibit. I seriously recommend that you always get the books because they have far more information in them than the exhibits themselves. I view it as my own effort to compile a record of this unique regional art show.

You can find almost everything you need at the Pacific Standard Time web site.

This film was put together for the Getty Center’s flagship exhibit, Crosscurrents, which covers 1950 to 1970. It’s a very nice little documentary about some of the major art developments in Los Angeles.

Attempt: A Short Film by Jennifer Sharpe

The film seems almost out of time. It could have been filmed fifty years ago. The gently swaying palms of Los Angeles fit between buildings easily but seem to have a romantic life in this film. The music, a piece for theremin and string quartet by Herbert A. Deutsch, fits the imagery in Jennifer Sharpe’s film to perfection. This kind of filmmaking, done with a small camera and then edited and colored in a relatively simple digital editor, is very close to the simplicity of the poet working in a notepad or the artist sketching from her window. Sharpe’s films are deeply felt poetic expressions that seem to exist in the only possible form that they could have. She turns her video images into something close to painting, extending time and finding mystery in simple movements. She has a very gentle approach but with strength in her observation and emotional ability, sort of like a butterfly with steel wings.

You can find out more about Jennifer Sharpe’s digital videos and paintings at her web site.

Pacific Standard Time: Anthony Kiedis Celebrates Ed Ruscha

Red Hot Chili Pepper, Anthony Kiedis rides along with L.A. artist, Ed Ruscha. They talk about using words for art and how that inspires them. I like shooting L.A. this way. The film uses the car and the streets well. I think I even see some duct tape holding Kiedis’ passenger door mirror together.

Pacific Standard Time web site.

VSV Taos to Topanga: A Film Visit with Artists George Herms and Dean Stockwell

George Herms is one of Los Angeles’ great artists, having been a founder of the ‘assemblage’ or found object kind of art. Actor Dean Stockwell has been making art for many decades and apparently lives out in the desert somewhere.  I think he’s one of those fake grumpy guys.  I’m familiar with them.  They try to set you off balance by pretending to be asses. The filmmaker, Paul Hasegawa-Overcracker takes his friends to visit both artists at home. Watch for Herms’ personal definition of High Definition.

Pacific Standard Time Celebrates Artist John Baldessari

Pacific Standard Time, the roaringly cheerful celebration by Southern California of its own art from the late 40s through the early 80s is releasing short videos to pump everyone up for its brand of art. I should be horrified by this silly video, but I’m not. I kind of like Baldessari’s big ass head on the wall. It works all the way up until he says ‘Art should be fun.’ Yeah, really? I dunno. Sounds like the kind of thing you say to an idiot.

But whatever. I’m going to see a lot of the exhibitions that are part of this festival. Should be really great.