Marvel Comics has a Create Your Own Comic tool that lets you put together either a simple 3-panel strip or an entire 22-page comic book. You don’t actually draw anything, but you choose layouts, backgrounds, characters and objects. You can re-size everything and layer objects on top of each other. It’s great for trying one’s hand at designing a layout that tells a story effectively. So write your comic book and start designing!
More finger sketching from the iPod. The major problem I see with drawing on an iPod or an iPhone is that it doesn’t work well in the sunshine. You can’t see the screen well enough to draw. Paper works better on a beach.
Drawn on my iPod with the Brushes app. This one’s an ocean from memory.
During my vacation I took a few opportunities to sketch with the Brushes app on my iPod. Here’s a bottle with flowers on a windowsill.
I’ve been having fun with my iPod Touch today. I got inspired to draw with the excellent Brushes app but my fingers are big fat and clumsy, so it required lots of zooming to make the view big enough so my painting wasn’t just a bunch of gigantic blobs. I drew the umbrella against a backdrop of foliage in my yard. The weather has been just as excellent as it should look in the picture.
I’ve learned that David Hockney, one of the greatest artists in the world, is drawing on his iPhone with the same application. His drawings are much more successful than mine, but it’s fun for anyone to draw with a finger!
This video is from a PBS Independent Lens documentary about the Ferus Gallery that shaped much of the Los Angeles art scene in the early 1960s. It’s short but it conveys some of the sense of LA’s wild, nervy, uncontrolled art attitude that is still in force today. I love the zoom in on Andy Warhol who’s standing in front of one of his works and he just says, ‘Oh.’ LA still has that sense of offering the individual artist the clear opportunity to walk into a gallery, shake hands, say ‘How’s it going?’ and end up with an art showing a few weeks later. It’s a city of entrepreneurs. New York is a city of deeply knowledgeable and experienced people who understand that there is a system in place that’s been there forever. That’s why people walk fast in New York. They’re all trying to stay on schedule so the system keeps running. In LA, everyone is throwing crowbars into the system and breaking it so that they can make their own. The gallery scene in downtown LA is really interesting these days. You can walk for blocks, stopping in at the galleries for a wide variety of offerings. There are a couple of galleries that have copped an arrogant New York attitude and they are the ones I stay away from. In general, you get a real feeling of the art being right there and totally accessible to you. Everything is for sale. The artists are interested in your money. It’s very simple and healthy. When I buy a piece of art in LA I feel like I’ve pulled a fast one on the art world somehow. I feel complicit in something with underground tones.
