Jonas Mekas Film: As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty

Jonas Mekas is one of our great independent filmmakers. He spent years writing a film column in the Village Voice. He founded the Anthology Film Archives in New York City. He makes lots of films with small cameras that he can carry almost anywhere he goes. That is, by the way, how filmmakers should be working today. If a filmmaker needs a truck, he or she is making a commercial.  I found this via the exceptionally brilliant underground film site, Bad Lit.

Scarlett Johansson Has Made a Magnificent Short Film: These Vagabond Shoes

I spend a lot of my very limited brain capacity wondering why Hollywood directors don’t run around with small cameras making their own little movies for YouTube.  Scarlett Johansson has made an excellent short film called These Vagabond Shoes which puts on display her obvious interest in and love for true cinema.  The person who has uploaded it to YouTube has somehow squeezed the image from widescreen to standard, but the film shines nevertheless.  I’m not sure why there’s a Russian overdub either, but just ignore it.  I think Ms. Johansson should upload the film herself properly and if she does, I’ll change the video link.  She has made a film that I’m certain is exactly what she wanted to make. It’s her personal expression of a fleeting and elusive subject.  The film’s about being alone and damn well liking it.  Kevin Bacon plays the film’s main character who gets dressed at just past 4:00 pm to leave his apartment and take a trip to a nearly empty Coney Island.  The film contains only small incidental sounds and very minimal dialog.  Its beauty lies in the attention to tiny details of behavior.  The multiple clocks in Mr. Bacon’s tiny apartment, all precisely set.  His careful re-tying of his shoe.  His placement of a hat upon his head and his hesitation when locking his door behind him.  These are the details of the lone person who sets out upon a small but important voyage through the terrifying public space.  Mr. Bacon’s character puts on the armor of his attire with a resolute dread that I can remember from my own time alone.  Ms. Johansson knows exactly what she’s doing.  Her character’s trip to Coney Island where he will purchase a hot dog and sit on a bench by the sea is a seeking out of the pleasure of being alone with one’s very own self and the not knowing what will come of that.  The uncertainty and the wide open strangeness of possibility when one is all alone in a very busy and enormous world is too much for most people to face.

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Kubrick’s 2001: A Space Odyssey is a Beacon For a New Decade

Read the following remarks at your own risk.  The post begins one way and finishes in another.

The online film journal Senses of Cinema has an excellent essay by Pedro Blas Gonzalez called Stanley Kubrick’s 2001: An Existential Odyssey.  He examines 2001: A Space Odyssey from an existential viewpoint.  He focuses primarily on astronaut Dave Bowman’s journey in the film toward not only a far-flung physical destination, but also his journey as a human being on a path toward knowledge, an unknown future and ultimate change or evolution.  I’ve always viewed the Bowman character as being exceedingly emotional and noble in spite of the fact that he barely moves a facial muscle or changes his vocal tone.  He seems on the surface to be little more than another machine on board the giant Jupiter-bound space ship.  But he is in fact full of tiny, barely perceptible emotions and concerns that make him perhaps the greatest representative character for the human species in film history.  The Bowman character completes his mission of discovery by surmounting incredible obstacles, included the most powerful example of artificial intelligence ever devised by humankind.  But he does this without ever losing his capacity for anger, despair, love, fear, or wonder.

We’ve lived through what I consider to be the single worst decade in the history of the United States, including the time of the Civil War.  In 2000, the country willfully elected to the presidency the most uneducated, unintelligent, disgusting, drunken, irresponsible, uncaring, warlike, criminal and religious fanatic in its history.  The damage done to our own self-image, to our sense of wonder in the face of the magnificent unknown, to our drive forward technically, scientifically, artistically, and morally, to our own self-respect and our dignity in a world teeming with slavery and murder and starvation – well this damage is going to be exceedingly difficult to repair.  We’ve seen the drive for knowledge turned into something that is suspect, something that religion should argue with and fight at every turn.  This is the legacy of the first decade of the twenty-first century.  The tragic crime committed by half of the population of the United States to elect – twice-over – the closest thing to an authoritarian leader we’ve ever had will not be wiped clean by voting for new candidates.  These awful people are among us.  They work with us in offices, in grocery stores, on farms, selling insurance, selling  cars, investing on Wall Street.  They are all around us and they are waiting to destroy again.  They want us to be dumb and mute.  They want us worshiping in their churches.  They want women to answer to them for how they use their bodies.  They want us to ignore the greatest scientific thoughts ever had and to replace them with tall-tales from an ancient book of children’s stories called The Bible.  It has been my mission over the past year to fight these people and to rid this web site of them (thousands and thousands of them, by the way), and to break their web links by using aggressive and insulting language at every possible turn.  I freely mix children’s stories and games with brutal assaults on this ignorant and dangerous population within our nation.  After 15 years of experience with children’s web sites, I have decided that they are rubbish.  They serve little purpose and make a pretense at wholesomeness and clean language which only does a disservice to our children who must grow up with the strength and knowledge to eradicate the foolishness that has prevailed over the past decade.  I have no concern for who I may insult, including my own authors who may or may not want their content removed because of my strong views.  My candle is a blowtorch and I turn it on barbarians with joy.  The only effective way to fight them is to get excited about discovery and knowledge again –  to do what Star Trek says we should do:

…to explore strange new worlds; to seek out new life and new civilizations; to boldly go where no one has gone before

Yes. We won’t get there by watching imbeciles like James Cameron film tales about white guys invading blue guys.  50-some-year-old adolescents pretending to be great directors don’t give us anything worth knowing.  Artists like Kubrick do.  Films like 2001: A Space Odyssey do.  We need to take this next decade and use it to elevate ourselves beyond and out of reach of the poor lost savages we see around us driving their pick-ups, their SUVs, thumbing through their Bibles and Korans, and going to movies like Avatar.  Let’s try thinking again.  Go rent 2001.  Watch it.  Wonder.  Think.

Stan Brakhage Film: Water For Maya

Stan Brakhage was one the most important experimental filmmakers of the 20th century. He used many techniques to make his films, one of them being direct painting on the film itself. This is one of his pieces from 2000. It is very beautiful and goes through several distinct movements during its short length.  I am going to post some more examples of his films because I think they capture an essential quality of an artist’s happiness that must be very rare.