Warhol and Maciunas: A Film by Jonas Mekas

This is a film by Jonas Mekas that features Andy Warhol, Yoko Ono, John Lennon, and George Maciunas who founded the New York art movement known as Fluxus. The film shows a Whitney Museum art opening in 1971 and an artists’ party in New York. Home movies become an artform in Mekas’ hands.

Luna Park: A Film by Luciana Botelho

Paris filmmaker Luciana Botelho travels and films her love of light and color. In this one, filmed in Lausanne, Switzerland, she turns carnival rides into a celebration of exploding light and pattern that seem to exist in their own realm apart from reality. Her interests seem to lie in the unnoticed beauty of everyday environments. Her camera observes with that sly calm that I admire in any artist. She steals moments of beauty from the unaware because they do not own the moments – she does.

Elegìa: A Film by Fred. L’Epee and Dimitra Pouliopoulou

Filmmakers Fred L’Epee and Dimitra Pouliopoulou deal with the emotions of video. Their short films are visual poems in the most real sense. I like the way they flirt with the techniques of celluloid while remaining firmly anchored in video. The two things, rather than cancelling each other, work together to offer a filmmaker more tools for opening eyes and insisting that people fully observe. This kind of film dances between reality and abstraction. The ships are placed so that they traverse a line between light and dark, high and low, space and time.

Propaganda Mussolini: A Film by Massimo Balloi

Italian filmmaker Massimo Balloi has made an abstract film that attempts to explain the descent of Italy into modern fascism. The rapid turn of Western democracies toward a virulent corporate fascism does in fact resemble the ideas put forth by Mussolini in the 1930s and 40s. But his effort was to mimic the efficiencies of the corporation in government. The new effort currently underway is to replace government control with corporate control. The danger is real and it is extreme. Even in the United States we see a Supreme Court allying itself with corporations. In Italy, you have a very basic corporate buffoon running the country as if it were a criminal enterprise. In the U.S. you have completely false liberals maneuvering a corporate front man into the Presidency so that every decision is made with a seemingly logical inclination toward the interests of the large corporations. We are now fighting entire wars based solely on decisions by corporations.

The twenty first century will not be the century of war against terrorists. It will be a century of war against corporations. They will gain an upper hand initially, but this will be short-lived. I say this because once you get inside these corporate structures you can observe how shockingly weak they are. BP is your perfect example. A single broken valve can weaken the entire stack of cards. These corporate entities can only flourish while people are asleep.

Broken English: A Film by Derek Jarman Featuring Marianne Faithfull

MATURE CONTENT:

This might be the most beautiful film you will see all year. It is the full version of ‘Broken English,’ starring Marianne Faithfull. It was made by Derek Jarman. It incorporates three of Faithfull’s songs. Jarman learned a great deal from American avant-garde filmmaker, Kenneth Anger. Interestingly, Marianne Faithfull also starred in an Anger film called ‘Lucifer Rising.’ The montage and superimposition going on in this film is simply stunning.  It’s full of dark pagan ritual, sex, violence, romance, adoration, and mystery. I think Jarman is one of the very few filmmakers who understood what Anger was doing in his work and tried to carry on from there.