Here’s the first official trailer for Disney’s upcoming film, ‘John Carter.’ It’s an odd way to retitle Edgar Rice Burroughs’ science fiction novel, ‘A Princess of Mars.’ But that’s what they’ve done. I don’t imagine there are too many people who will go see a movie named for someone called John Carter. But anything is possible. If you’d like to put up with some very bad writing by Mr. Burroughs, you can listen to Candlelight’s complete audio book version of the novel. I’m not sure why I recorded it at all. Burroughs turned what should have been a short story into a novel by making all of his sentences run the length of football fields.
Author Archives: Cimaxion
Le Crabe Aux Pinces D’or: 1947 Tintin Animation
Here’s the first animated version of a Tintin story from 1947. It was directed by Claude Misonne. I am very worried by the billboards around Los Angeles for the new Spielberg film. They are just horrifically ugly. That cannot be a good sign for the movie.
Attempt: A Short Film by Jennifer Sharpe
The film seems almost out of time. It could have been filmed fifty years ago. The gently swaying palms of Los Angeles fit between buildings easily but seem to have a romantic life in this film. The music, a piece for theremin and string quartet by Herbert A. Deutsch, fits the imagery in Jennifer Sharpe’s film to perfection. This kind of filmmaking, done with a small camera and then edited and colored in a relatively simple digital editor, is very close to the simplicity of the poet working in a notepad or the artist sketching from her window. Sharpe’s films are deeply felt poetic expressions that seem to exist in the only possible form that they could have. She turns her video images into something close to painting, extending time and finding mystery in simple movements. She has a very gentle approach but with strength in her observation and emotional ability, sort of like a butterfly with steel wings.
You can find out more about Jennifer Sharpe’s digital videos and paintings at her web site.
The Rebel Set: 1959 Beatnik Film Noir
Gene Fowler, Jr. directed this peculiar Beatnik crime noir in 1959. It starts right off with a Beat jazz club and then just gradually slides into trying to be a crime thriller. It’s about an out of work actor, an unpublished novelist and a movie-star’s son who are teamed up by the club owner to pull off an armored car robbery. The Beat scenes start off in Los Angeles and then the action moves by train toward New York, with a four-hour layover in Chicago where the crime is to occur. I love all the jazzy xylophone music, the black-clad dancing girl, the paintings on the walls, the bohemian sleeping quarters and the silly little beards. I think we really need to bring back the whole idea of the Beat jazz club. I’d go for sure.
The movie has some great touches. Like the hard luck actor reciting Shakespeare’s ‘Taming of the Shrew’ along with an LP. There’s my favorite line, delivered by the club owner: ‘When in Rome, Sydney, do the Romans.’ The poet giving a performance with musical backing says, ‘The passengers on this sad train are the five senses.’
Jack Frost: 1934 Ub Iwerks Animation
Ub Iwerks, the creator of Micky Mouse, produced this cartoon in 1934.
Happily Ever Over: An Epic Illustrated Fairy Tale by C Merry
C Merry has created an epic rambling fairy tale that weaves her own modern perspective through the classic stories that children have been familiar with for centuries. The result is both humorous and unsettling. C Merry combines these tales with mythology and Christmas to explain things that have been long forgotten. It’s a beautiful way to start the holidays. You’ll find out that the Pied Piper had money troubles and was working out of his van. Santa Clawz is a wormhole-travelling wildman who began the holiday tradition of sneaking into houses to counteract the effects of war. Instead of dropping bombs, he dropped gifts. He was also descended from grizzly bears.
The story unfolds over a series of partially animated illustrations that are gorgeously detailed, showing squiggly pen lines inside every detail. These pictures are backed by a dense and mysterious soundscape.
What C Merry seems to be doing is connected the world’s most charming tales for children to the much deeper and darker subterranean world of mythology. It works. She has created a mystical world of danger and beauty.
You can also read the entire illustrated tale at the author’s blog.