This is an undersea stop-motion animation by Hayley Morris that takes place in a world entirely created by the filmmaker. She made all the sea creatures too! Her materials are clever and convey life under water brilliantly. She made the film for Hilary Hahn and Hauschka’s song ‘Bounce Bounce.’
Andrea Nevi of Italy directed this short film that is apparently a music video for a band called Mama’s Gan. The band has recorded a female tribute to the Beatles and this is their version of ‘Carry That Weight.’ I like it and I like the film a lot. I also like that beautiful face of the actress who is probably a member of the band. Incredible! I think I might fly to Italy to meet such a face. Every shot in this film is magnificent, but it’s that face around which the film pivots. I don’t think it is very easy to film a beautiful face. I know I always get very distracted whenever I try. I end up dropping my camera and forgetting all about what I’m doing.
Nevi’s film is a free-flowing beauty shot in Super 8. It won ‘Best Italian Film’ at the International Super 8 Film Festival 2011 in Milan, Italy.
Bob Dylan has always been in the enviable position of being taken seriously even when he is just messing around. God he must be fun to hang out with. I think he is one of the funniest human beings I have ever seen. He carries on here as if beginning an interview but he’s really drawing the interviewer with total focus and determination. He then proudly holds up one of the worst drawings I’ve ever seen in the long history art. But have you ever seen someone answer questions this way? I like the way in part 2 he predicts the sudden change in music about to happen when the kids who don’t like all the machine music of the eighties make something new in four or five years. He was predicting the emergence of the alternative scene and bands like Nirvana I think.
The film seems almost out of time. It could have been filmed fifty years ago. The gently swaying palms of Los Angeles fit between buildings easily but seem to have a romantic life in this film. The music, a piece for theremin and string quartet by Herbert A. Deutsch, fits the imagery in Jennifer Sharpe’s film to perfection. This kind of filmmaking, done with a small camera and then edited and colored in a relatively simple digital editor, is very close to the simplicity of the poet working in a notepad or the artist sketching from her window. Sharpe’s films are deeply felt poetic expressions that seem to exist in the only possible form that they could have. She turns her video images into something close to painting, extending time and finding mystery in simple movements. She has a very gentle approach but with strength in her observation and emotional ability, sort of like a butterfly with steel wings.
You can find out more about Jennifer Sharpe’s digital videos and paintings at her web site.