Category Archives: 1950s

Aleph: California Beat Artist Wallace Berman’s Only Film

by Cimaxion

While I was running through the Getty Center’s flagship portion of the massive citywide ‘Pacific Standard Time‘ art exhibit, I was struck by just how great this Wallace Berman fellow really was. Known primarily as the ‘father’ of assemblage art, he was also a member of the Beat Movement. He made a single film which occupied much of his time through the 1960s and 70s. It’s less than eight minutes long and it’s a drop dead gorgeous thing to see. He’s one of those film artists interested in what I like to call the messy image. The film seems to have been dragged through ink and dirt. It’s been scratched, wrinkled, folded, cut, slashed and stained. Letters flash by like subliminal messages. Pop culture crashes into modern art. He films magazines, papers, radios, faces, hands, rock stars, body parts, buildings, streets and apparently just about everything he had lying around in his studio. This film is a quiet little reminder that crystal clear HD and super sharp focus are not anywhere near the concerns of some artists.

And here is California assemblage artist George Herms talking about Berman recently as part of the Pacific Standard Time series of exhibits:

Crosscurrents: Film About Pacific Standard Time Art Exhibits Focused on Los Angeles Art From 1945 – 1980

by Cimaxion

Pacific Standard Time is a massive overview of Los Angeles art from 1945 to 1980. At least sixty galleries and museums are taking part over the next few months. I have already been to the largest exhibits at the Museum of Contemporary Art, Los Angeles County Museum of Art, and the Getty Center. The whole thing is a lot of fun and I have discovered artists I never knew about before. There are magnificent things on display and the curators have also published big books to go along with each exhibit. I seriously recommend that you always get the books because they have far more information in them than the exhibits themselves. I view it as my own effort to compile a record of this unique regional art show.

You can find almost everything you need at the Pacific Standard Time web site.

This film was put together for the Getty Center’s flagship exhibit, Crosscurrents, which covers 1950 to 1970. It’s a very nice little documentary about some of the major art developments in Los Angeles.

The Rebel Set: 1959 Beatnik Film Noir

by Cimaxion

Gene Fowler, Jr. directed this peculiar Beatnik crime noir in 1959. It starts right off with a Beat jazz club and then just gradually slides into trying to be a crime thriller. It’s about an out of work actor, an unpublished novelist and a movie-star’s son who are teamed up by the club owner to pull off an armored car robbery. The Beat scenes start off in Los Angeles and then the action moves by train toward New York, with a four-hour layover in Chicago where the crime is to occur. I love all the jazzy xylophone music, the black-clad dancing girl, the paintings on the walls, the bohemian sleeping quarters and the silly little beards. I think we really need to bring back the whole idea of the Beat jazz club. I’d go for sure.

The movie has some great touches. Like the hard luck actor reciting Shakespeare’s ‘Taming of the Shrew’ along with an LP. There’s my favorite line, delivered by the club owner: ‘When in Rome, Sydney, do the Romans.’ The poet giving a performance with musical backing says, ‘The passengers on this sad train are the five senses.’

The Mad Ones: A Brief History of the Beat Generation

by Cimaxion

Krystal Cannon (PersonTV) made this short documentary about the Beat Generation in which she not only narrates as Queen Elizabeth, but also plays various roles including Allen Ginsberg, Joan Vollmer, Bob Dylan, Jack Kerouac, John Lennon, Edie Sedgwick and Abbie Hoffman. She gives a clear account of the Beat movement then moves into the general social reaction. She also makes some very interesting points about how women were sidelined even though many of them made great contributions to Beat culture. I think that what the Beats were working on is in very fine hands indeed with Ms. Cannon at work.

Thanks to Marc Campbell at Dangerous Minds.

Redbook’s Portrait of the American Suburbs: 1957 Advermentary

by Cimaxion | 2 Comments

Seems almost like a horror film on its surface. This is a 1957 documentary/advertisement for Redbook Magazine. But it presents a portrait of the American migration to suburbia that one could film in almost exactly the same way today. There’s nothing in here that you can’t find looking just the same today. The film’s constant referral to the ‘young adults’ who cherish their lives away from the crowded cities begins to sound downright weird after the tenth repetition. These ‘young adults’ can still be found today in suburbs all around Los Angeles. I’ve had plenty of backyard experience with these suburban young adults. You walk out into your pool area and you hear the neighbors playing some loud music. You know what they’re playing? Bad Company. The Who. Bruce Springsteen. The Bee Gees. John Cougar.

Living in the past. Some glory days lived right around high school graduation time. Then it was all downhill from there and a job that paid for the Sea-Doo and the Ford pickup. Spit in your barbecue if you know what I’m talking about.

There’s some damn fine filmmaking going on in this little advermentary though. I love the shots in part two with the car’s sideview mirror and the suburban yard people.