One Day Occupy L.A.: A Film by Alessandro Cima

I went down to the demonstration to make a film. I liked the people there. They were very focused and happy. They were talking, explaining, arguing, educating, dancing, singing, playing, making signs, painting, photographing. Some of them made speeches at the microphone. Some read poems. There were lots of cameras.

The music and words in this film are by Tom Morello (http://nightwatchmanmusic.com), former Rage Against the Machine guitarist. He sings his own ‘Maximum Firepower’ and Woody Guthrie’s ‘This Land is Your Land.’

The mood at City Hall was high energy and cheerful. The underlying anger and frustration of the movement seemed to be moving through a positive channel. It was exciting but also comfortable there because of the people and their open attitudes.

The Los Angeles police headquarters is directly across the street from the protest grounds. That’s where I began shooting my film – right into the windows of police headquarters. Several squad cars drove up First Street, but there was not a single cop anywhere near the protest area. The crowd is organized and respectful, but also very serious about its messages which are various and multifaceted.

The city has taken a protective stance over its protesters. I’m very proud of Los Angeles for this.

Occupy Los Angeles is one of the spreading protests coming out of the Occupy Wall Street protest in New York. Hopefully, the incredible momentum of the movement will continue and be heard very clearly across the country and the world.

The simple messages that I get from the protests are that government cannot function while it is under the control and influence of corporations. The economy cannot function properly while corporations and their extremely wealthy owners are allowed to operate without oversight and control. The country cannot pave its roads or build its schools or house its people while corporations and the wealthy play with money that is nearly tax-free, removing it entirely from the real world economy. The country cannot function as a democracy while its politicians and Supreme Court justices are working for corporations. The country cannot be free while racism and bigotry are increasingly seen as legitimate reactions to change. The country cannot be secure while corporations are given the power to run wars and people’s basic privacy rights are removed.

That’s what I see in the Occupy movement.

If every city in the U.S. could have as fine an Occupy movement as Los Angeles, they would be very lucky indeed.

Pacific Standard Time: Anthony Kiedis Celebrates Ed Ruscha

Red Hot Chili Pepper, Anthony Kiedis rides along with L.A. artist, Ed Ruscha. They talk about using words for art and how that inspires them. I like shooting L.A. this way. The film uses the car and the streets well. I think I even see some duct tape holding Kiedis’ passenger door mirror together.

Pacific Standard Time web site.

VSV Taos to Topanga: A Film Visit with Artists George Herms and Dean Stockwell

George Herms is one of Los Angeles’ great artists, having been a founder of the ‘assemblage’ or found object kind of art. Actor Dean Stockwell has been making art for many decades and apparently lives out in the desert somewhere.  I think he’s one of those fake grumpy guys.  I’m familiar with them.  They try to set you off balance by pretending to be asses. The filmmaker, Paul Hasegawa-Overcracker takes his friends to visit both artists at home. Watch for Herms’ personal definition of High Definition.

Right Here All Over (Occupy Wall Street): A Film by Alex Mallis

This film shows how the protesters of the Occupy Wall Street movement organize themselves in lower Manhattan. They seem to be forming something like a little community with food services, minor first aid, a library, battery charging and even video editing services for all the people covering the action. These people are working hard and have an uncommon seriousness about them. This is something new. These are mainly young people. They are waking up from iPod oblivion and showing the world that they can make a difference in a democracy decayed by a corporate stranglehold over the government. These are people who can see that corporate management structures have totally occupied and taken over the United States government all the way up to and including its Supreme Court. In fact, there is no other way to dismantle this criminal structure. It can only be broken up by massive groups of angry protesters who simply never stop coming.

The film was shot and edited by Alex Mallis.

Here’s a simple and clear opinion piece about the reform movement represented by Occupy Wall Street.

Nova Express: Epic Online Film Adaptation of the William S. Burroughs Novel by Andre Perkowski

Filmmaker Andre Perkowski is working on a huge 3 hour plus adaptation of the novel ‘Nova Express‘ by William S. Burroughs. It’s a wild, ragged, disjointed, warped, damaged, serious and funny mashup of found footage, original film and Burroughs’ reading voice along with others. It’s got those incoherently combined sci-fi and thriller elements that Burroughs so easily manipulated as if in a delirium. The film is itself a kind of cutup, mirroring the technique Burroughs used that involved gathering unrelated bits and pieces of other books and newspaper articles to formulate sentences that somehow ramble on without necessarily leading anywhere specific. The novel is about exposing the secrets of those who attempt to control all thought and life with virus-like ideas, machines and drugs.

Perkowski is a filmic oddball who delights in making things that are messy. He draws and collages to create new images, purposely ruining his images to create the unexpected. I think his mental immersion into Burroughs is leading him through his wonderful film with great assurance. Apparently, Perkowski is constantly adding to the film and changing it. He has at least six different ‘drafts’ of the film. As he goes, he posts chunks of the film on his YouTube channel which I happen to think is a fantastic idea. There are similarities between the way he works and the way I work on films like my ‘Yellow Plastic Raygun.’ I have often told people that I suspect the video scrubber button in non-linear video editors that allows a filmmaker to fly through a full length feature film in seconds is perhaps the single most important cinematic tool of the last thirty years. It is this little tool that allows for the searching and matching of cinematic elements that could never have been found in a human lifetime before the non-linear editor. So it leads to entirely new form of cinema. That’s what you are watching here with Perkowski’s film. It is a powerful work of new cinema and may well be the best adaptation of a Burroughs work that I have ever seen.

Here’s a great interview with the filmmaker that focuses on this film.

Part 2

 
Parts 3 – 10 after the jump…
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Unions and Students Join the Occupy Wall Street Protests

Powerful unions have joined with the protesters at Occupy Wall Street. The movement is exploding across the nation, taking root in major cities like New York, Los Angeles, Chicago, and Washington, D.C. The protests are a direct reaction to the inability of the government to fairly tax its people even in the face of a major worldwide financial catastrophe. With the shrill and irrational assertions of Republicans and their Tea Party people sounding like some sort of majority opinion, people are getting out in the streets to show what the real majority really thinks.