The Mad Ones: A Brief History of the Beat Generation

Krystal Cannon (PersonTV) made this short documentary about the Beat Generation in which she not only narrates as Queen Elizabeth, but also plays various roles including Allen Ginsberg, Joan Vollmer, Bob Dylan, Jack Kerouac, John Lennon, Edie Sedgwick and Abbie Hoffman. She gives a clear account of the Beat movement then moves into the general social reaction. She also makes some very interesting points about how women were sidelined even though many of them made great contributions to Beat culture. I think that what the Beats were working on is in very fine hands indeed with Ms. Cannon at work.

Thanks to Marc Campbell at Dangerous Minds.

Behind The Wall: The Battle for LA’s Murals

Oliver Riley-Smith made this short documentary about the disappearing mural art of Los Angeles. It features a prominent muralist complaining about how murals have been ‘bludgeoned by graffiti’ and ‘censored by the city.’ Perhaps so. The city does make it difficult to get permits for murals. But I don’t really like murals. They tend to be stiff and unoriginal. I like the murals that have been vandalized by the graffiti artists. Sorry but I do. They are much more interesting than the clean murals which are entirely unimaginative and offer nothing to move art in any direction whatsoever. If muralists want to preserve their images, they should paint indoors. Look at the mural on the highway underpass wall that’s covered with graffiti at the 42 second mark in the film. Beautiful. Much better than the mural ever was. The muralist in the film says, ‘Museums are for the dead. I want life.’

Bullshit.

There’s a guy in this film called ‘Ghost One.’ I like what he says about art.  He’s realistic and open to whatever comes along.  He says that taggers mark up murals because they assume that their marks will have more longevity that way. That’s a very interesting thought. An artists seeks longevity by making his mark inside the work of another artist. Fascinating. Much more interesting than the murals. Such thinking shows possibility.

But then the film draws the two sides together and our muralist says he ‘hopes our two styles can work together.’ Well, they can’t really, but it’s a nice thought.

University of California Has Physically Attacked Tuition-Paying Students

University of California at Davis students staging a sit-in have been attacked by school police with massive doses of pepper spray. The use of weapons against tuition-paying students by the university is grounds for removal of any administration officials with knowledge of these tactics. This is disgusting. Students have a long-standing tradition of free expression on their campuses. Sit-ins are a harmless and excellent way for students to express outrage. The pepper-spraying police should at the very least be discharged. There should also be legal charges brought against them.

The spectacle of the university going after its students with weaponry and armored police thugs is simply outrageous. It’s an appalling act of stupidity and cruelty. This school should be hammered with lawsuits and public outrage. While Penn State University allegedly rapes small children, University of California blasts pepper spray into the faces of its kids. What the fuck may I ask is going on in this country? Our higher education system has typically been the only thing giving our country an edge internationally. Now it would seem that even that system is cracking.

It seems clear that every single protester at every protest nationwide should be armed with a canister of pepper spray to use against police. Their faces are vulnerable under the helmet guards. Every single protester with pepper spray. It looks to me like the time for passivity might be ending. There is a tactic that I think could be used against police. It would be the singling out of an individual officer by hundreds of protesters. The surrounding of a single officer might put the police ranks into a very uncomfortable position.

Congressional Effort to Censor the Internet

The ‘Protect IP’ bill before Congress would give corporations and the government the power to completely shut down internet sites without any due process just for posting a single copyright infringing link. So for a site like Facebook, if a single user posted a single copyrighted something or other, the government could simply pull the plug on Facebook and turn it off.

But chances are the law would be used to stifle expression and ideas from smaller sites. The government would simply have to accuse a site of being engaged in piracy and that site would be effectively terminated.

That’s a terrifying abuse of power. It would complete destroy the internet and anything resembling freedom of communication. This is a glaring example of how a small number of large corporations have taken total control of the Unites States government.

You can sign a petition and learn more at fightforthefuture.org/pipa.

Girls: A Violent and Gorgeous Film by Maureen O’Connell

This film’s writer and director, Maureen O’Connell, is a student at the Royal Academy of Dramatic Art in London. The school doesn’t make a good first impression with all its diction and dialects. But her film does. I’m a bit of a jerk about British drama training. Derek Jacobi once made an offer of employment that I refused while asked for another beer. That’s my general attitude about the Kenneth Branagh tribe. Nobody’s ever produced duller Shakespeare than Mr. I-Am-a-Hard-Working-Shakespearean-Dammit! O’Connell comes from Ireland… usually an ace up an actor’s sleeve… except in Mr. Branagh’s case. If O’Connell can keep RADA off of her back, she might just have something very fine going on as a director. She’s made a great film here. There are some technical issues with sound that annoy me, but they seem easily solvable by simply converting a stereo track to mono and blending a few audio transitions together. Someone could fix that up in a few minutes for her.

The film is about a comfortably middle-class girl who seems disconnected from her family and friends. She takes a sudden turn toward what I can only call suburban violence. The film builds quietly toward a surprising viciousness that seems very real. O’Connell darts around the action like she’s making a documentary. She works well with actors, somehow getting large groups of them to create scenes that are shockingly realistic and disturbing. There’s not a hint of awkwardness in her camera work. In fact, she seems, along with director of photography Arthur Mulhern, to revel in what I call the messy image. It is my belief that only people who seek out messy images can become great filmmakers. I will not explain that too much. It should be obvious to any filmmaker. The film contains a crystallizing and gorgeous image where O’Connell points the camera into the sun and tracks a running group of teenagers after a fight. It’s a great image that violates the norms of video photography. In fact, I notice quite a bit of light leaking into the lens during the film. O’Connell’s violence is shocking but also mesmerizing. She approaches it in a slightly off-kilter manner that I can’t quite get a handle on. Just when you think it’s time for her to calm down and quiet things, someone gets kicked in the face. She just has a natural sense of drama.

Her lead performer, Marilyn Bane, conveys her role brilliantly. She is a cross between likeable innocence and brute savage that I want to hit with a baseball bat. Really fine work. All the actors are terrific and the group of ass-kicking girls is just horrifying.

So this Maureen O’Connell is probably going to be making something very fine for the BBC soon. Get ready for it. Because it won’t be pretty. But it’ll leave a big bruise for a long while.  She’ll most likely have to get over all that RADA stuff.  Although, to contradict myself slightly, she does do this nice little Romeo & Juliet thing that I listened to!