Das Kleine Chaos: 1966 Short Film by Rainer Werner Fassbinder


Here’s a 1966 short crime film by a young and learning Rainer Werner Fassbinder. The great and too-soon-departed German filmmaker actually plays one of the three young criminals who decide to invade a woman’s home to terrorize and rob her. The film is relentlessly cool and begins at around the 3 minute mark to really show how deeply Fassbinder was mining the work of Jean Luc Godard. Those shots in the apartment with Fassbinder reading the novel out loud in front of a wall of pinned art prints is straight up Godard stuff. But it’s just fine to imitate other filmmakers as long as your real intention is to destroy them from the inside. Fassbinder was just that kind of filmmaker.

Here’s an article about Fassbinder on the Senses of Cinema site.

Camera: A Short Film by David Cronenberg


This is a short film made in 2000 for the Toronto International Film Festival by David Cronenberg. ‘Videodrome’ actor Les Carson talks about how afraid he is of the movie camera while children bring one into the house and set up to shoot their own movie with professional equipment. The actor’s fear and doubt contrast sharply with the enthusiasm of the kids. But of course they are interested in him as subject matter because they know that he is real. This is an excellent and moving study of time, creativity and how all art is an unfathomable mixture of enthusiasm and terror.

Opening Scene Film Adaptation of Thomas Pynchon’s Inherent Vice Filmed by Jeff Hoyt

It’s nearly impossible to find film adaptations of Thomas Pynchon novels anywhere. I frankly don’t know why anyone would even try to film such books. It seems almost suicidally foolish. But this plucky fellow, Jeff Hoyt, has at least given it a small go. He’s filmed a sort-of version of the opening pages of Pynchon’s silly little lightweight piffle of a book, ‘Inherent Vice.’ This is where the lead detective/loafer/drug user/hippie/surfer/beach lounger/semi-retired permanent loser character, Doc, encounters his mysterious ex who presents him with a strange possibility for detective work. I like this little piece of film because it really tries to do Pynchon. The actors are Orien Longo and Rachel Kadison. The role of Doc is a very difficult thing to tackle because it really seems to require little effort. Actors who aren’t solid in their experiences always want to work at getting it down. You can’t do that with a character like Doc. If you aren’t him, you can’t play him. Simple as that. But the role of Shasta as played by Ms. Kadison is a sweet surprise. She’s damn good. She can do this work.