A film combining the mythology of the Hollywood/Spaghetti western, Tarot, magic, occult, Jungian psychology, and mysticism with flamboyant, multi-layered, supersaturated imagery.
Multiple narratives conflict and adhere. Meanings emerge and contradict. Music and dialog tell another layered story, sometimes agreeing with the images, sometimes trying to subvert them.
A film should be a container for the psychic unconscious energy of its creator. That is what this is.
There is also a commercial.
During the lengthy production of the film ‘Barfly,’ director Barbet Schroeder conducted a series of short interviews with the poet Charles Bukowski. This is the complete set of those interviews and comes in at nearly four hours. Observe Bukowski and see what you think of his style. He was an incredibly sensitive soul trying to be a boxer. He was also one of those people who when they speak you just can’t wait to hear what they might say next. A real page-turner of a person.
If you want to read a fascinating book about the time of making Barfly, read Bukowski’s novel, ‘Hollywood.’ He changes the names of all the people involved, but you can easily figure out who they are. It is the best book about making a movie I have ever read in my entire life – without exception.
Filmmaker Lawrence Jordan calls this 'a long opium dream of the old Mariner' that marries the engravings of Gustave Dore to the poem by Samuel Taylor Coleridge. Jordan adds many of his own cutout elements to the animation, creating something totally unique. Orson Welles' performance of the poem is unforgettable, simultaneously delicate and powerful as he fully embodies the role of the old Mariner with a story to tell. There is enough mystery and otherworldliness from Jordan's hands to pair magnificently with one of the saddest and most beautiful poems ever written in English.
The film is dedicated to the great assemblage artist and filmmaker Wallace Berman who was a close friend of Jordan.
Jonathan Hodgson made this beautiful animated film of a 1992 poem by Charles Bukowski called ‘The Man with the Beautiful Eyes.’ The artwork is by Mark Shepherd. It was produced for Britain’s Channel Four.
