Film: Typography

In Ronnie Bruce’s short film Typography, poet Taylor Mali lets it all hang out about how people talk today. Hipsters. Kids. Cooliodoolios who don’t want to sound too committal about anything. Every utterance is just a little fart with a question mark at the end. ‘You know?’

I don’t happen to have this problem with sounding non-committal and all like you know laid back. I get in trouble because I talk too much like a guy who’s swinging a baseball bat. But, uh, you know, in an era of fake Bush wars and a ‘liberal’ president who tells me I’m going to have to buy insurance from a murderous private company or else… well, hmmm, like, dude, I’m swingin’ my verbal bat just as hard as I want and I’m hoping to hit someone in authority. The Tea Party folks are idiots, but there’s one thing they’ve got right. Obama is so over, he’s, like, you know… done.  Obama reminds me of a school principal.  Never says anything worth listening to.  He’s got the dullest eyes I’ve ever seen on a president.  Notice that?  Blank.  Even Bush had expression.  Always terror.  Sheer stark raving terror radiated out of Bush’s little monkey eyes.  Obama radiates the pause between pre-planned comments – the ‘umm’ moment.

Of course, when people suddenly get very clear, direct, self-assured and forceful in their statements you know what happens, right?  You get Hitler.

Barnes & Noble Nook is a Dreadful Failure

I’ve been so waiting with my bated breath and all for this magical Nook machine from Barnes & Noble.  I was in a right dither tonight about an hour and a half ago as I shoved my reading glasses into my pocket, put my regular glasses on my face and piled into my car for the short ride to my nearest Barnes & Noble bookseller.  But I stopped first at the Lenscrafters to run in and have them adjust my frames because my glasses are so new and have been drifting over lopsided all week.  So the woman there fixed them up nicely and shined them good.  Then I drove on toward my Nook encounter.

The store had a lone unit attached to an anti-theft device that scared the hell out of me because I tend to demonstrate new devices to myself until nearby customers think I’m a lunatic and I certainly didn’t want to raise any alarms.  The Nook said, ‘Press the Power Button to Wake Up.’  I spun the device around several times until I located said button embedded in the upper edge of the Nook.  I pressed it.

I waited.

Then I pressed it perhaps fourteen or fifteen times to try and make something wake up.  Then the screen went through a series of blinks, flashes and some rather frightening symbols appeared and then disappeared.  And then the machine said, ‘Press the Power Button to Wake Up.’

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What’s Wrong with Scientology’s Ideas?

I am impervious to the persuasions of all clubs, organizations and religions.  I’ve read the entire Old Testament and know that god has never spoken a single word to any living human being in history.  I’ve been in terribly close proximity to Catholic priests for extended periods of time, argued with them and sat gritting my teeth through their best attempts at mass.  You can burn all the bushes in my backyard and come down the hill with as many tablets as you like and I’ll know you’re a damned fake.  So I can watch L. Ron Hubbard speak through all six parts of the interview above and have not the slightest fear of showing up in a Scientology storefront with my wallet out.  However, I don’t really see anything terribly wrong with what Hubbard says in the interview.  What’s all the Scientology warfare really about?

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Fake Artist Sues Photographer for Taking Pics of Public Sidewalk Art

Some abject fool of an artist named Jack Mackie made a deal with the city of Seattle to embed an artwork called Dancers’ Series: Steps into a sidewalk back in 1979.  Then a photographer named Mike Hipple went and did a logical thing; he took a photograph of a public sidewalk with the artwork in it.  Now the nitwit fraudulent artist is suing him for using his artwork in a photograph!  It’s jackasses like this Mackie dude that need to be put out of business.  By this jerk’s reasoning I would have to pay royalties to all of the architects responsible for the design of every single building in the Manhattan skyline if I took a photograph of New York.  Ridiculous!  This fool is an insult to artists and intellectual property courts all over the country.

The only good thing about this Jack Mackie art is that people get to step on it.

I have an idea for a great photograph.  Someone goes up to Seattle with a jackhammer for a 4:00 am dig-and-run operation then takes a photograph of the hole that’s left and its caption reads, ‘Please Fill This Hole.’

And this would be something to do to every public artwork attached to a moronic lawsuit like Mr. Mackie’s. Every time one of these lawsuits is filed, destroy the artwork. Eventually, corporate midgets like Jack Mackie will go away.

And another thing, Mr. Mackie, I recognize the concrete incorporated in your artwork on the sidewalk.  It’s extremely distinctive.  My uncle owns the mill that made that concrete and he will expect to be compensated for the use of his concrete in your public artwork.  You owe him $600,000.  He’s coming to collect.  His name is Lou.  Smile when you open the door.

Royal Caribbean Cruise Lines Docks Ship for Fun and Sun in Stricken Haiti

Perhaps the most disgusting company on the face of the planet has made itself known today: Royal Caribbean Cruise Lines has docked the cruise ship Independence of the Seas at a private beach in Haiti which is fenced off from the rest of the stricken nation, for some fun and sun along the beach.  The resort beach is about sixty miles from the devastation of Haiti’s earthquake zone and is surrounded by tall fences and armed guards.

Apparently, the cruise line company has excused its shocking act by saying that it delivered some pallets of relief supplies.  So, with millions of people injured, two hundred thousand dead, everything lying in heaps of rubble, this Royal Caribbean company thinks it can dock its ship for fun and NOT pick up survivors or provide beds and rooms for survivors or transportation for survivors.  What Royal Caribbean should be doing is running its ships back and forth to ferry people to hospitals on other islands.  That’s what a responsible company with real sailors in its employ would be doing.  How could a ship’s captain or crew live with itself after behaving in such a monstrous fashion?  How could the passengers not mutiny?  What are the names of the people on board this ship?  Let’s find out and post them on the web.

Ship photo from Bernt Rostad

Haiti May Be Providing Slave Labor to U.S. Corporations

Haitians Hang French Troops For Their Acts of Cruelty

During the earthquake crisis in Haiti I have continued to ask the same question of my friends: How, in the 21st Century, can a country so close to the richest nation on earth be so poor?  No one seems to have an answer except for Pat Robertson (who is not a friend, by the way) who suggests that the Haitians made a pact with the devil when they made the French leave.  Seems an odd way to refer to a successful uprising against slavery, doesn’t it?

Since the earthquake, I have learned that Haiti was apparently the location of the world’s first successful uprising against slavery.  They fought the French and won.  It is also the world’s oldest black republic.  It is this achievement that a person like televangelist Pat Robertson suggests is a pact with the devil.

But now it seems that U.S. corporations are using Haitian workers in sweatshop factories to manufacture goods at wages of approximately 30 cents per hour.  That must be why the tiny nation is too poor to build things that can withstand earthquakes.  It will be useful to learn how many of these factories or sweatshops/slave camps have collapsed in the earthquake.  I would imagine that there will be some investigation of such places in the near future.  Perhaps the slave trade never really ended at all, but simply changed its name to ‘cheap labor’ or ‘sweatshop’ or ‘globalism.’

Here’s a history of Haiti from Wikipedia.

Here’s an article about the U.S. role in keeping Haiti poor.

Disney has used cheap labor in Haiti.  They say so themselves right here.

I particularly like their response to a question about child labor:

Q. What is your policy on child labor?
A.
Our Code of Conduct for Manufacturers prohibits child labor. Companies that make Disney-branded products must sign a contract stating that they do not and will not use child labor. Child is defined as “a person younger than 15 (or 14 where local law allows) or, if higher, the local legal minimum age for employment or the age for completing compulsory education.” If child labor is discovered in a factory, we generally seek to work with the factory, as well as the licensee that uses the factory, to identify the most feasible solution to remedy the situation as quickly as possible. This may include collaboration with government, multilateral institutions, NGOs or other companies that use the factory.

So Disney will ‘seek to work with the factory’ if it finds child labor going on. Am I the only one who’s shocked that a U.S. corporation would print such a statement of its own accord?  Because if it were me finding out about child labor, I would ‘seek to work’ a hammer into someone’s head.  For my part, I can only define very cheap labor in a very poor country where workers are threatened with reprisals if they try to improve their lot as slavery.  In fact, the more I learn about Haiti the less it looks like a country and more like a camp.