Category Archives: Los Angeles

Los Angeles Streetcars – The Final Years

by Cimaxion

 
This is a short documentary about the last of the Los Angeles Yellow and Green streetcar lines of the mid-1950s. For me, Los Angeles is the most beautiful American city because of its nearly mystical relationship with the natural landscape intruding so markedly upon the urban scene. One gets the feeling that at any moment the terrain could obliterate the city entirely. The resulting dichotomy makes for eerie and unsettling intrusions of nature into the urban landscape. Turn a corner, even today, and you are quite likely to find yourself looking up a natural hillside with only a dirt path for access. Old films like these fascinate me for their glimpses of the cityscape and its long-ago relationship to the desert surroundings.
 
 
 

Documentary: Los Angeles Meets the Megalith

by Cimaxion

Artist Michael Heizer’s enormous new work on the grounds of the Los Angeles County Museum of Art required a 340-ton boulder as its centerpiece. The boulder had to be transported over 100 miles from its quarry. At first, I was very interested in this rock. It’s huge! But soon I became more interested in the city’s reaction to the rock. So this film documents the final few miles of the rock’s journey, but it also documents the people who came out to be a part of the great Los Angeles rock transport. The film is part documentary and part personal impression. The simple fact of the matter is that the rock’s arrival is an unusual milestone in the life of this city. You can tell that simply by looking at the faces in my film.

Filmmakers of Our Time: John Cassavetes – 1968 French Documentary

by Cimaxion | 1 Comment

John Cassavetes’ first film was called ‘Shadows.’ It was made in 1959 and I think it might be the greatest film about race in America that’s ever been made. Cassavetes has always struck me as having an element of that required con-man aspect of the personality that is present in many good actors. When he talks he seems impressed with what he is saying and he knows how to deliver it with just the right amount of humor and a few self-deprecating remarks. But he means every goddamn word of it and he puts all of his thoughts into his film works. He’s one of those rare objects of confusion that sometimes crop up in American art. I’ve been watching a bunch of his films lately and I don’t think I’ve ever seen a filmmaker so interested in looking at the inability of the American adult to understand or even perceive the meaning of their habitual mannerisms. For me, his films illuminate what it means to be a grownup and how the performance required of grownups contrasts with what they really want to be.

Cassavetes on making ‘Shadows:’

That people can go out with nothing and through their own will and through their determination make something that exists… out of nothing. Out of no technical know-how, no equipment. There wasn’t one technician on the entire film. There wasn’t anybody who knew how to run a camera… walked in and started to read the directions of how to reload it. Got a Movieola and looked at it. Did all the things in the world and we made eight million mistakes. But it was exciting and fun.

This is a 1968 French documentary that was probably shot just after or during the making of his great marriage disaster film, ‘Faces.’