It’s all very confused and mysterious. In 1972, the Rolling Stones hired photographer and filmmaker Robert Frank to make a film about their American tour. He made something wonderful called ‘Cocksucker Blues,’ which immediately angered the Stones because it actually showed them to be the ultra coolest and baddest band in the world. They sued him to keep the film out of circulation. Go figure. Why would you sue a guy for making the one absolute piece of evidence that you are what you say you are: ‘The greatest rock & roll band in the world?’ Well I don’t know the answer. Drugs and addled minds perhaps. This short film is actual footage taken by Frank on Super 8 cameras. It’s been edited by someone called Videodrumz on YouTube and put together with ‘Rocks Off’ from the ‘Exile on Main Street’ album. It’s good. It works. The footage is absolutely recognizable as Frank’s.
Author Archives: Cimaxion
Saturday November 5 Is Bank Transfer Day
Tomorrow, Saturday November 5, 2011, is Bank Transfer Day. That means that Americans everywhere are moving their money out of big banks and putting them into smaller local banks and credit unions that are FDIC insured. The Occupy Wall Street movement is having serious consequences and is beginning to wake people up to how easy it is to change things when millions decide to act. The big banks have been making life very difficult for many people through absurd fees, rates and indecipherable rules meant to empty pockets. But the problem is actually much more serious than that. Big banks are actually putting lives at risk through illegal foreclosures all across the United States. Masses of people are boiling with anger that is going to reach a critical overload. Moving money out of these banks into credit unions is a common sense approach to smacking big banks. But this event is just a warm-up. What we are practicing for is the eventual ability of the population to move almost overnight to totally destroy a chosen corporation. The ability to do so is almost here and will make itself apparent in very short order. I’m talking about a population that will be able to pick a corporation – say a major auto manufacturer for instance – and totally liquidate that corporation. This will be a weaponized and highly focused form of boycott, but it will be characterized by extremely sudden mass decision-making unlike anything ever seen in history. Get ready for it. Start your warmup tomorrow by moving to a credit union or small local bank.
The Bank Transfer Day Facebook page.
A Salon article about why Bank Transfer Day is only the beginning and the power of social media.
Stopover: Animation by Neil Stubbings
I like this fast-paced and funny little cartoon about a driving emergency in outer space. The characters are expressive and silly. The ‘I have to pee urgently’ walk is hysterical. The computer animation has that nice cartoony/drawn look that always catches my eye. Neil Stubbings directed the film for LeMob Animation. Via Neatorama.
The Dystopian Trilogy: A Film by James Schneider
James Schneider made ‘The Dystopian Trilogy’ in 1993, mainly through the use of found footage. Its three parts, ‘Faerie-Monition,’ ‘Oasis,’ and ‘Median Strip,’ convey modern Americans’ infatuation with closing off entire communities from the rest of the world for some theoretical benefit. The first part deals with the corporatization and homogenization of imagination through eerie footage of Euro-Disney. The second part focuses on a gated community near Las Vegas. The third contrasts and connects the freedom of the modern highway to the growth of our prison system and the fast-growing outrage of private prisons run for profit. This last part, when seen in light of today’s use of immigration law to fill corporate-owned prisons with people who are turned into a slave workforce, is particularly frightening.
Oakland Police Smash Skull of Iraq War Veteran at Peaceful Protest
MATURE CONTENT – DISTURBING IMAGES AND LANGUAGE
In Oakland, Tuesday evening, police fractured the skull of Occupy Oakland protester Scott Olsen who is an Iraq war veteran. Police apparently fired a projectile at his head. Mr. Olsen is in critical condition.
Oakland is an American city where police will lay a person out on a subway platform and brutally murder them with a bullet through the back. They are now firing deadly projectiles at Occupy Oakland protesters.
The use of projectiles by police against crowds is in fact a use of potentially deadly force and should be defended against as such. Any firing of a projectile toward crowds or individuals must be viewed as potentially deadly. The protesters would now seem to have a legal argument for self defense.
I predict that this protester and his injuries will soon cost the city Oakland tens of millions of dollars in damages.
That’s the thing about this movement. It’s got a lot of very smart and well-educated people involved and they have really powerful attorneys who are going to rip Oakland a great big new asshole.
Oakland police were also filmed firing projectiles at people who went to administer first aid to the seriously injured Olsen. You can see that toward the end of the following video. I’m not sure I’ve ever seen anything quiet like that, but I am very certain that the police officer who fired this projectile at people rendering assistance to an injured person can face serious criminal charges.
Cuadecuc, Vampir: 1970 Spanish Underground Dracula Film Shot as Attack on General Franco
Here’s an extremely rare underground Halloween treat for anyone who loves film. Ah, but only the very fewest of you will actually watch this all the way through! Give it a try. Not only is this film underground… it’s underhanded. Pere Portabella made ‘Cuadecuc, Vampir’ in 1970 by filming on the set of a Christopher Lee film called ‘Count Dracula’ that was being directed by Jesus Franco. Portabella’s underground classic is on its surface a silent horror film. But it’s also a documentary about the making of the Dracula film. It tells its story by stealing scenes from the feature being shot around it, almost as if the film were a mashup of existing footage! The high-contrast black and white photography evokes such cinema greats as Carl Theodor Dreyer’s ‘Vampyr’ and F.W. Murnau’s ‘Nosferatu.’ We see typical horror scenes like a stagecoach racing through the wilderness, or a dusty crypt, interrupted by the arm of a prop person using a fan to blow fake spiderwebs or a cameraman shooting from behind furniture. These slippages from horror into documentary actually produce a weird terror when you realize that the film was being shot under the watchful eyes of Spain’s dictator, General Francisco Franco. What the film really is underneath all the fantastic and disturbing imagery is a vicious attack on Franco and the false media manipulation that keeps all dictators in power. The portrait it paints of Franco himself is one of a sad, disturbed and largely ineffective vampire who lives inside a mental construction based on the past. The other characters in the film seem to be wandering through this psychotic realm, trying to find a way out.
The soundtrack incorporates jet engines, muzak, electronic music, opera singing, jackhammers, stuck records and various other electronic sounds. Don’t let this throw you because the soundtrack is one of the most eerie and unsettling that you will ever hear.
And I’m thinking that Criterion needs to jump on this and make a nice blu-ray release out of it.
Pere Portabella has a web site.
Now, just for kicks, here is a scene from the actual color film of Dracula being shot while Pere Portabella stole his own film right under Christopher Lee’s nose! You decide which film seems scarier.