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This is one of the great children’s stories of the world. Carlo Collodi’s 1883 masterpiece, The Adventures of Pinocchio, is the story of the wooden marionette who desperately wants to be a real boy. His adventures are full of mischief, wonder, sadness, joy, treachery, danger and all the exuberant life of a real Italian boy. This is the English translation by Carol Della Chiesa.
This is one of the great gifts from Italy to the children of the world. Carlo Collodi’s 1883 masterpiece, The Adventures of Pinocchio, is the story of the wooden marionette who desperately wants to be a real boy. His adventures are full of mischief, wonder, sadness, joy, treachery, danger and all the exuberant life of a real Italian boy. This is the English translation by Carol Della Chiesa.
This is one of the great gifts from Italy to the children of the world. Carlo Collodi’s 1883 masterpiece, The Adventures of Pinocchio, is the story of the wooden marionette who desperately wants to be a real boy. His adventures are full of mischief, wonder, sadness, joy, treachery, danger and all the exuberant life of a real Italian boy. This is the English translation by Carol Della Chiesa.
I’m digging up some of the old files I never posted from years ago. This book is long and it’s very hard to record. I am going to make an effort to finish it soon.
This is one of the great gifts from Italy to the children of the world. Carlo Collodi’s 1883 masterpiece, The Adventures of Pinocchio, is the story of the wooden marionette who desperately wants to be a real boy. His adventures are full of mischief, wonder, sadness, joy, treachery, danger and all the exuberant life of a real Italian boy. This is the English translation by Carol Della Chiesa.
A Chinese Fairytale was written in 1904, by Laurence Housman. He was from England and wrote many stories, novels and plays. This story first appeared in a book of stories called The Blue Moon. It tells of the young Tiki-pu who wants desperately to learn how to paint. But he is only a servant and must resort to trickery in order to learn his craft.
Tiki-pu was a small grub of a thing; but he had a true love of Art deep down in his soul. There it hung mewing and complaining, struggling to work its way out through the raw exterior that bound it.
Tiki-pu’s master professed to be an artist: he had apprentices and students, who came daily to work under him, and a large studio littered about with the performances of himself and his pupils. On the walls hung also a few real works by the older men, all long since dead.
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