Artist, photographer, filmmaker Cindy Sherman made this short stop-motion film, Doll Clothes, in 1975. I only just realized during my most recent viewing that she was actually continuing the conversation with Marcel Duchamp’s ‘Nude Descending a Staircase, No. 2.’
There’s a glitch in the YouTube video, so you’ll need to drag the slider a bit to get the movie started.
Duchamp’s ‘Nude Descending a Staircase, No. 2’ (1912):
I found this via the Echo Park Film Center.
Here’s some action art complete with painters scaling buildings at night, secret identities and even a police chase. Artist X made the beautiful ‘Thank You Andy Warhol’ images that went up across L.A a few months ago. I drove by one that was attached to one of the pillars holding up a major highway overpass and was struck by it immediately. I even tried to video it with limited success through my windshield.
The film is by Adolfo J. Lara.
I was filming a ton of shots on Melrose Avenue this past Friday and I stopped purely by chance in front of this piece at the De La Barracuda wall where I took closeups of various parts of the image. I didn’t realize it had just gone up and was a collaboration by artists Chad Muska and Cyrcle. This fun art film is by Adolfo J Lara.
Found the film via Melrose & Fairfax.
Here’s an article from I09.com about how William S. Burroughs was, for a period, fascinated by Scientology. He joined and even used many of the group’s principals in some of his work. But he eventually turned against the group because he recognized that they were more interested in maintaining a corporate hierarchy of secrecy than in pursuing genuine ideas. It’s natural for a writer of Burroughs’ genius to be curious and to find the best in a group like Scientology. It is also natural for him to see through the horse shit and ditch the idiots in a Hollywood Boulevard gutter.
Here’s a good read about Burroughs and Scientology from Dangerous Minds.
Here’s a very nice short film about artist Shepard Fairey whose Obama poster in 2008 became one of the most well-known symbols of the campaign. I started off not liking Fairey’s images even though I purchased one of the Obama posters. I saw lots of reuse and fascism. But I usually have great trouble with and distaste for things that I wind up genuinely admiring. I think Fairey makes absolutely stunning images. I recently purchased a brand new signed print of his. I can’t wait to hang it! Their beauty is both easy and difficult. They are harsh and bombastic even while containing great subtlety. Fascinating artist. I think the statements he makes about copyright are generally correct. But I also think that he was rude in not crediting the original photographer behind the Obama poster image. But rudeness does not make for copyright infringement. I’m sure he’s a very nice guy and I’ve noticed that he has no problem with crediting photographers on his web site. I also have a secret little reason for liking the T-shirt he’s wearing.
This film was made by Gestaltin TV in Germany.
Brazilian artist Claudio Ethos works on his first Los Angeles art piece. I happened upon him down on Main Street and thought he was a worker about to paint over a painting of a face. I started shooting and after several minutes realized that he was the artist.