Author Interview: Artie Knapp

Artie Knapp’s new children’s book, Living Green: A Turtle’s Quest for a Cleaner Planet,’ is available!  Tired of seeing the land he loves cluttered with trash, Thurman the turtle decides it’s time to take action.  He’s a very environmentally conscious turtle who simply won’t take no for an answer.

Here’s a recent radio interview Artie Knapp did on a show called ‘The American Perspective:’

 

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A delightful story that uses whimsical animal characters and engaging art to show younger readers that everyone can make a difference, no matter how small!

Sharon Martin, Newspapers in Education Manager, the Detroit Free Press

A determined turtle named Thurman shows us all that following your heart and doing what you believe in, no matter what others say, can make a difference. This story, like many of Artie Knapp’s other tales, is sure to entertain, educate and inspire our youth!

Kristin Garrison, Newspapers in Education Manager, the Cincinnati Enquirer

Kids are great ambassadors for the environment and Living Green makes the issue of human impact on the planet even more real through a brave, animal hero, Thurman, who literally risks his neck for earth.

Brandie Weikle, Editor of the Toronto Star’s parenting website, ParentCentral.ca

There’s even a special web site for Thurman the turtle.

Ready (Re’Search Wait’S), 2009-2010: A Film by Ryan Trecartin

Do you know who Ryan Trecartin is? You better. He’s making the wildest and best videos to be found online or in a gallery anywhere. This piece is about to open with six others to form an epic at the Museum of Modern Art P.S.1 in New York. It’s a warped and wicked view of corporate career life and behavior as practiced by characters whom I suspect would not even want to be considered normal. They spout company lingo and get it all twisted back inside of itself until it starts to sound like perfect sense and is just as valid as what you hear daily in the offices of any company. Trecartin is onto the fact that our economy has failed and millions of people are out of work because their jobs were bullshit to begin with. At minimum, 75% of jobs in corporate America are completely unnecessary. They are a busy-work scam based on particular rhythms and mannerisms and they produce nothing at all. The characters in this video revel in their uselessness. They gloat, the whine, they insult, they mock. They are amped up to be as irritating as possible. Their voices grate like demented cartoon characters. These videos are like the visions of a child computer in orbit that scans human beings and then tries to reproduce them but gets it wrong. These are digital creatures more than they are actual human characters.

Not to mention the fact that Trecartin’s intentionally clumsy and cheeseball imagery is simply gorgeous. The videos are extremely deceptive. They are so freely expressive as to be nearly psychotic. But always just enough under control to imply meanings with great subtlety. Right now these films of Ryan Trecartin represent the avant-garde’s leading edge.

Two Directors on Terrence Malick’s ‘The Tree of Life’

I have not had any interest in the work of Terrence Malick over the years. His films tend toward nature and beautifully composed shots that seem much too still for my tastes. I like things that move in sloppier fashion than Malick is willing to show. For instance, the clip shown here makes me want to go see ‘The Tree of Life’ because is looks magnificently gorgeous and might in fact tend toward the non-narrative end of the spectrum. However, look at those ‘hand-held’ shots. Like almost every Hollywood movie, Malick’s hand-held shots look as though they are calculated, calibrated and buffered by sophisticated computer programs designed to give just the right sense of hand-held without being too hand-held. Hand-held on hydro-greased pistons with balancing weights and counter movement devices. Look at how, when he shows the kid’s feet kicking the can on the street, he tilts the horizon line just so. Fussy. Trying to make an interesting shot out of nothing. There’s something too smooth going on with the camera person. Malick needs to punch the camera operator in the mouth just before a shot. I don’t think great film directors can work with the standard kit Hollywood film crew… ever. Everything in this clip moves with a limp swaying quality. Maybe that’s why I sleep through Malick films.

If it were up to me, I’d tell Malick to remake this film with no more than five people helping him aside from the actors.

Ferry Poetry: A Short Film by Anna Bing

Actually Anna Bing is two people – Anna and Bing – who form a video production company called Video Mutants in the Netherlands.  This piece is based on a poem by Ibrahim Selman.  I don’t understand the language but the sounds of the poem as read by the narrator are just beautiful.  I could listen all day.  Check out how the film is a cheerful nod to Bob Dylan’s particular poetry film technique.  I love watching the crowds move back and forth.  They look like happy people.