“Is it possible, that by telling these tales, one might indeed save one’s self?”

The character, Scheherezade thought so. In fact, she tells each of the Arabian Nights tales in order to survive a little longer at the mercy of her listener, the Sultan.

The Arabian Nights stories are some of the world’s great treasures. They have existed for thousands of years, consisting of tales told in Persia, Arabia, India and Asia. The Arabian Nights (also known as The 1001 Arabian Nights) have inspired writers the world over with the ancient power of story.

There are versions of these stories in many languages and they all convey the great sense of adventure, truth, fantastic imagination, justice, and faith embodied by the great civilizations that contributed stories and ideas to the collection.

The Arabian Nights include fairy tales, fables, romances, farces, legends, and parables. The tales use a sweeping variety of settings, including Baghdad, Basrah, Cairo and Damascus, as well as China, Greece, India, North Africa and Turkey.

These fanciful, sometimes brutal tales, revel in the art of storytelling. The underlying suggestion of the Arabian Nights is that a fantastically precious jewel exists which, when it comes into contact with people, actually changes them. The jewel is the maginicently powerful art of story. There may not be any better examples in the world of how art, trickery, magic and craft can swirl together and form a world that every reader and listener wants to enter. Regardless of the situation presented in any particular Arabian Nights story, the assumption contained in the story is that life is always worth living and that human endeavor, along with human weakness, is a wonderful and fascinating thing to behold. These stories form a powerful mental connection between the ancient civilizations of the East and those of the West. Moreso than any other piece of writing in history, these stories illustrate that the minds of the East and of the West consider carefully the same subject matter.

We offer here a selection of the Arabian Nights tales. There are hundreds in existence. These are versions translated by Andrew Lang in 1898 and Edward Lane in 1909. They are in the public domain and may be freely copied and shared.

We will be adding interesting things to our Arabian Nights pages over the next few months. You will find audio versions of some stories, illustrations, animations, additional stories by different translators, and information about the history of the stories.

PARENTAL NOTICE:
The Arabian Nights are not necessarily intended for young children. They contain violence and mature situations. Please exercise care when reading them to young children. Try reading the story you are interested in first, then decide if it is appropriate material for your young listener.

An Arabian Nights Audio Story

If you want to listen to our 1-hour audio version of Ali Baba and the Forty Thieves, click here.

The Andrew Lang Version (published in 1897):

• INTRODUCTION BY ANDREW LANG
• THE ARABIAN NIGHTS PROLOGUE
• THE STORY OF THE MERCHANT AND THE GENIE
• THE STORY OF THE FIRST OLD MAN AND OF THE HIND
• THE STORY OF THE SECOND OLD MAN, AND OF THE TWO BLACK DOGS
• THE STORY OF THE FISHERMAN
• THE STORY OF THE GREEK KING AND THE PHYSICIAN DOUBAN
• THE STORY OF THE HUSBAND AND THE PARROT
• THE STORY OF THE VIZIR WHO WAS PUNISHED
• THE STORY OF THE YOUNG KING OF THE BLACK ISLES
• STORY OF THE THREE KALENDARS, SONS OF KINGS, AND OF FIVE LADIES OF BAGHDAD
• THE STORY OF THE FIRST KALENDAR, SON OF A KING
• THE STORY OF THE SECOND KALENDAR, SON OF A KING
• THE STORY OF THE ENVIOUS MAN AND OF HIM WHO WAS ENVIED
• STORY OF THE THIRD KALENDAR, SON OF A KING
• THE SEVEN VOYAGES OF SINDBAD THE SAILOR
• THE FIRST VOYAGE OF SINBAD THE SAILOR
  
• THE SECOND VOYAGE OF SINBAD THE SAILOR
  
• THE THIRD VOYAGE OF SINBAD THE SAILOR
• THE FOURTH VOYAGE OF SINBAD THE SAILOR
  
• THE FIFTH VOYAGE OF SINBAD THE SAILOR
  
• THE SIXTH VOYAGE OF SINBAD THE SAILOR
  
• THE SEVENTH AND LAST VOYAGE OF SINBAD THE SAILOR
  
• THE LITTLE HUNCHBACK
• STORY OF THE BARBER’S FIFTH BROTHER
• THE STORY OF THE BARBER’S SIXTH BROTHER
• THE ADVENTURES OF PRINCE CAMARALZAMAN AND THE PRINCESS BADOURA
• NOUREDDIN AND THE FAIR PERSIAN
• ALADDIN AND THE WONDERFUL LAMP
• THE ADVENTURES OF HAROUN-AL-RASCHID, CALIPH OF BAGHDAD
• THE STORY OF THE BLIND BABA-ABDALLA
• THE STORY OF SIDI-NOUMAN
• STORY OF ALI COLIA, MERCHANT OF BAGHDAD
• THE ENCHANTED HORSE
• THE STORY OF TWO SISTERS WHO WERE JEALOUS OF THEIR YOUNGER SISTER

The Edward Lane Version (published in 1841):

• INTRODUCTION
• THE STORY OF THE MERCHANT AND THE JINNI
• THE STORY OF ALI BABA AND THE FORTY THIEVES

The John Payne Version (published in 1901):

More Arabian Nights Information

• The History of the Arabian Nights
• Inspiration from the Arabian Nights

“The Arabian Nights” translations by Andrew Lang (1898) and Edward Lane (1841) are in the Public Domain