![\"\"](\"http:\/\/www.candlelightstories.com\/Blog\/wp-content\/uploads\/2012\/01\/GermaineDulac.jpg\" "\\"GermaineDulac\\"")
<\/a><\/center><\/p>\nGermaine Dulac<\/a> was one of the original French film ‘auteurs.’ She was also a film theorist and feminist. She had a relatively short career as an avant-garde filmmaker, making such works as ‘The Smiling Madam Beaudet (1923) and ‘The Seashell and the Clergyman’ (1928) which is often credited as being the first Surrealist film.<\/p>\n In this film, the title translated as ‘Those Who Make Themselves,’ we follow a destitute drunk woman who appears to yearn for the life of a prostitute or to engage in some sort of tryst. It is also possible that she is simply despondent over rejection by a lover. She appears to fail at everything she tries and eventually walks down a staircase into the Seine river. It’s a very simple film that manages to convey a deep sense of loneliness.<\/p>\n Dulac insisted on being credited as the author of her films, not accepting the standard partnership between a screenwriter and director.<\/p>\n Here’s a 1923 quote from Dulac:<\/p>\n I believe that cinematographic work must come out of a shock of sensibility, of a vision of one being who can only express himself in the cinema. The director must be a screenwriter or the screenwriter a director. Like all other arts, cinema comes from a sensible emotion \u2026 To be worth something and \u201cbring\u201d something, this emotion must come from one source only. The screenwriter that \u201cfeels\u201d his idea must be able to stage it. From this, the technique follows.<\/p><\/blockquote>\n Here’s a Senses of Cinema article on Germaine Dulac entitled ‘The Importance of Being a Film Author: Germaine Dulac and Female Authorship.’<\/a><\/p>\n