{"id":6232,"date":"2011-02-13T19:15:22","date_gmt":"2011-02-14T03:15:22","guid":{"rendered":"http:\/\/www.candlelightstories.com\/?p=6232"},"modified":"2011-02-13T19:24:37","modified_gmt":"2011-02-14T03:24:37","slug":"10-minute-film-school-with-el-mariachi-director-robert-rodriguez","status":"publish","type":"post","link":"https:\/\/candlelightstories.com\/Blog\/2011\/02\/13\/10-minute-film-school-with-el-mariachi-director-robert-rodriguez\/","title":{"rendered":"10-Minute Film School with El Mariachi Director Robert Rodriguez"},"content":{"rendered":"<div class=\"media\"><object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"480\" height=\"390\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"wmode\" value=\"transparent\" \/><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/4UOa7tkByrw?fs=1&amp;hl=en_US\" \/><param name=\"allowfullscreen\" value=\"true\" \/><embed type=\"application\/x-shockwave-flash\" width=\"480\" height=\"390\" src=\"http:\/\/www.youtube.com\/v\/4UOa7tkByrw?fs=1&amp;hl=en_US\" wmode=\"transparent\" allowscriptaccess=\"always\" allowfullscreen=\"true\"><\/embed><\/object><\/div>\n<p>Director <a href=\"http:\/\/en.wikipedia.org\/wiki\/Robert_Rodriguez\">Robert Rodriquez<\/a> shows how he put several sequences together for his low-budget first feature, <em>El Mariachi<\/em>.  His solutions for working with a single camera and extremely limited resources are ingenious.  His consistent recommendation to young low-budget filmmakers is to simply refuse to spend any money on anything.  After watching this film it becomes very apparent that the only thing really preventing people from making films is a simple lack of ability.<\/p>\n<p>For further study, Mubi.com has nice in-depth article called <a href=\"http:\/\/mubi.com\/garage\/posts\/2830\"><em>30 Minute Film School<\/em><\/a> that covers all the shot types and lighting setups one needs in order to make a narrative film.<\/p>\n<div class=\"media\"><object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"480\" height=\"390\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"wmode\" value=\"transparent\" \/><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/sLxqNwc1oYU?fs=1&amp;hl=en_US\" \/><param name=\"allowfullscreen\" value=\"true\" \/><embed type=\"application\/x-shockwave-flash\" width=\"480\" height=\"390\" src=\"http:\/\/www.youtube.com\/v\/sLxqNwc1oYU?fs=1&amp;hl=en_US\" wmode=\"transparent\" allowscriptaccess=\"always\" allowfullscreen=\"true\"><\/embed><\/object><\/div>\n<p>Here&#8217;s a fascinating continuation of the 10-minute film school in which Rodriguez shows how he filmed a complex shootout for <em>Desperado<\/em> with Antonio Banderas by using a video camera to pre-plan the entire sequence.<\/p>\n<div class=\"media\"><object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"560\" height=\"349\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"wmode\" value=\"transparent\" \/><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/P4_2zxaZnRU?fs=1&amp;hl=en_US\" \/><param name=\"allowfullscreen\" value=\"true\" \/><embed type=\"application\/x-shockwave-flash\" width=\"560\" height=\"349\" src=\"http:\/\/www.youtube.com\/v\/P4_2zxaZnRU?fs=1&amp;hl=en_US\" wmode=\"transparent\" allowscriptaccess=\"always\" allowfullscreen=\"true\"><\/embed><\/object><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Director Robert Rodriquez shows how he put several sequences together for his low-budget first feature, El Mariachi. His solutions for working with a single camera and extremely limited resources are ingenious. His consistent recommendation to young low-budget filmmakers is to simply refuse to spend any money on anything. After watching this film it becomes very [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[779],"tags":[1677,436,988,1090,1085,1421],"class_list":["post-6232","post","type-post","status-publish","format-standard","hentry","category-filmmaking","tag-action-film","tag-editing","tag-independent","tag-low-budget","tag-mexico","tag-mubi"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/candlelightstories.com\/Blog\/wp-json\/wp\/v2\/posts\/6232","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/candlelightstories.com\/Blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/candlelightstories.com\/Blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/candlelightstories.com\/Blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/candlelightstories.com\/Blog\/wp-json\/wp\/v2\/comments?post=6232"}],"version-history":[{"count":6,"href":"https:\/\/candlelightstories.com\/Blog\/wp-json\/wp\/v2\/posts\/6232\/revisions"}],"predecessor-version":[{"id":6237,"href":"https:\/\/candlelightstories.com\/Blog\/wp-json\/wp\/v2\/posts\/6232\/revisions\/6237"}],"wp:attachment":[{"href":"https:\/\/candlelightstories.com\/Blog\/wp-json\/wp\/v2\/media?parent=6232"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/candlelightstories.com\/Blog\/wp-json\/wp\/v2\/categories?post=6232"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/candlelightstories.com\/Blog\/wp-json\/wp\/v2\/tags?post=6232"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}